Evelyn now stood within the library of which Mrs. Merton had spoken. It was a large room, about fifty feet in length, and proportionably wide; somewhat dark, for the light came only from the one large window through which they entered; and though the window rose to the cornice of the ceiling, and took up one side of the apartment, the daylight was subdued by the heaviness of the stonework in which the narrow panes were set, and by the glass stained with armorial bearings in the upper part of the casement. The bookcases, too, were of the dark oak which so much absorbs the light; and the gilding, formerly meant to relieve them, was discoloured by time. The room was almost disproportionably lofty; the ceiling, elaborately coved, and richly carved with grotesque masks, preserved the Gothic character of the age in which it had been devoted to a religious purpose. Two fireplaces, with high chimney-pieces of oak, in which were inserted two portraits, broke the symmetry of the tall bookcases. In one of these fireplaces were half-burnt logs; and a huge armchair, with a small reading-desk beside it, seemed to bespeak the recent occupation of the room. On the fourth side, opposite the window, the wall was covered with faded tapestry, representing the meeting of Solomon and the Queen of Sheba; the arras was nailed over doors on either hand,--the chinks between the door and the wall serving, in one instance, to cut off in the middle his wise majesty, who was making a low bow; while in the other it took the ground from under the wanton queen, just as she was descending from her chariot. Near the window stood a grand piano, the only modern article in the room, save one of the portraits, presently to be described. On all this Evelyn gazed silently and devoutly: she had naturally that reverence for genius which is common to the enthusiastic and young; and there is, even to the dullest, a certain interest in the homes of those who have implanted within us a new thought. But here there was, she imagined, a rare and singular harmony between the place and the mental characteristics of the owner. She fancied she now better understood the shadowy and metaphysical repose of thought that had distinguished the earlier writings of Maltravers,--the writings composed or planned in this still retreat. But what particularly caught her attention was one of the two portraits that adorned the mantelpieces. The further one was attired in the rich and fanciful armour of the time of Elizabeth; the head bare, the helmet on a table on which the hand rested. It was a handsome and striking countenance; and an inscription announced it to be a Digby, an ancestor of Maltravers.