Alice, or the Mysteries — Book 02Lytton, Edward Bulwer Lytton, Baron
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Alice, or the Mysteries — Book 02
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Caroline, who was a good rider, and fond of horses, and whose curiosity
was always aroused by things connected with show and station, suffered
the little girl to draw her into the garden. Two grooms, each mounted on
a horse of the pure Arabian breed, and each leading another, swathed and
bandaged, were riding slowly up the road; and Caroline was so attracted
by the novel appearance of the animals in a place so deserted that she
followed the children towards them, to learn who could possibly be their
enviable owner. Evelyn, forgotten for the moment, remained alone. She
was pleased at being so, and once more turned to the picture which had so
attracted her before. The mild eyes fixed on her, with an expression
that recalled to her mind her own mother.
"And," thought she, as she gazed, "this fair creature did not live to
know the fame of her son, to rejoice in his success, or to soothe his
grief. And he, that son, a disappointed and solitary exile in distant
lands, while strangers stand within his deserted hall!"
The images she had conjured up moved and absorbed her; and she continued
to stand before the picture, gazing upward with moistened eyes. It was a
beautiful vision as she thus stood, with her delicate bloom, her
luxuriant hair (for the hat was not yet replaced), her elastic form, so
full of youth and health and hope,--the living form beside the faded
canvas of the dead, once youthful, tender, lovely as herself! Evelyn
turned away with a sigh; the sigh was re-echoed yet more deeply. She
started: the door that led to the study was opened, and in the aperture
was the figure of a man in the prime of life. His hair, still luxuriant
as in his earliest youth, though darkened by the suns of the East, curled
over a forehead of majestic expanse. The high and proud features, that
well became a stature above the ordinary standard; the pale but bronzed
complexion; the large eyes of deepest blue, shaded by dark brows and
lashes; and more than all, that expression at once of passion and repose
which characterizes the old Italian portraits, and seems to denote the
inscrutable power that experience imparts to intellect, constituted an
_ensemble_ which, if not faultlessly handsome, was eminently striking,
and formed at once to interest and command. It was a face, once seen,
never to be forgotten; it was a face that had long, half unconsciously,
haunted Evelyn's young dreams; it was a face she had seen before, though,
then younger and milder and fairer, it wore a different aspect.
Evelyn stood rooted to the spot, feeling herself blush to her very
temples,--an enchanting picture of bashful confusion and innocent alarm.
"Do not let me regret my return," said the stranger, approaching after a
short pause, and with much gentleness in his voice and smile; "and think
that the owner is doomed to scare away the fair spirits that haunted the
spot in his absence."
Public-domain text, read in full here on John Shaqi.
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