Alice Sit-By-The-FireBarrie, J. M. (James Matthew)
General
Alice Sit-By-The-Fire
Barrie, J. M. (James Matthew)
Drama
COLONEL. ‘We mustn’t tell you, Alice, because it is a woman’s secret--a
poor little fond elderly woman. Our friend is very proud of his
conquest. See how he is ruffling his feathers. I shouldn’t wonder you
know, though you and I are in the way to-night.’
But Alice’s attention is directed in another direction: to a little
white object struggling in the clutches of a closed door at the back
of the room. Steve turns to see what she is looking at, and at the
same moment the door opens sufficiently to allow a pretty hand to
obtrude, seize the kitten, or whatever it was, and softly reclose the
door. For one second Alice did think it might be a kitten, but she
knows now that it is part of a woman’s dress. As for Steve thus
suddenly acquainted with his recent visitor’s whereabouts, his mouth
opens wider than the door. He appeals mutely to Alice not to betray
his strange secret to the Colonel.
ALICE, with dancing eyes, ‘May I look about me, Steve? I have been
neglecting your room shamefully.’
STEVE, alarmed, for he knows the woman, ‘Don’t get up, Alice; there is
really nothing to see.’ But she is already making the journey of the
room, and drawing nearer to the door.
ALICE, playing with him, ‘I like your clock.’
STEVE. ‘It is my landlady’s. Nearly all the things are hers. Do come
back to the fire.’
ALICE. ‘Don’t mind me. What does this door lead into?’
STEVE. ‘Only a cupboard.’
ALICE. ‘What do you keep in it?’
STEVE. ‘Merely crockery--that sort of thing.’
ALICE. ‘I should like to see your crockery, Steve. Not one little bit
of china? May I peep in?’
COLONEL, who is placidly smoking, with his back to the scene of the
drama, ‘Don’t mind her, Steve; she never could see a door without
itching to open it.’
Alice opens the door, and sees Amy standing there with her finger to
her lips, just as they stood in all the five plays. Ginevra could not
have posed her better.
‘Well, have you found anything, memsahib?’
It has been the great shock of Alice’s life, and she sways. But she
shuts the door before answering him.
ALICE, with a terrible look at Steve, ‘Just a dark little cupboard.’
Steve, not aware that it is her daughter who is in there, wonders why
the lighter aspect of the incident has ceased so suddenly to strike
her. She returns to the fire, but not to her chair. She puts her arms
round the neck of her husband; a great grief for him is welling up in
her breast.
COLONEL, so long used to her dear impulsive ways, ‘Hullo! We mustn’t
let on that we are fond of each other before company.’
STEVE, meaning well, though he had better have held his tongue, ‘I
don’t count; I am such an old friend.’
ALICE, slowly, ‘Such an old friend!’ Her husband sees that she is
struggling with some emotion.
COLONEL. ‘Worrying about the children still, Alice?’
ALICE, glad to break down openly, ‘Yes, yes, I can’t help it, Robert.’
Public-domain text, read in full here on John Shaqi.
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