Alice Sit-By-The-FireBarrie, J. M. (James Matthew)
General
Alice Sit-By-The-Fire
Barrie, J. M. (James Matthew)
Drama
‘Whether mine does, Ginevra, I don’t even know. This is a very strange
position I am in, awaiting the return from India of parents I have not
seen since I was twelve years old. I don’t even know if they will like
the house. The rent is what they told me to give, but perhaps my
scheme of decoration won’t appeal to them; they may think my
housekeeping has been defective, and may not make allowance for my
being so new to it.’
Ginevra takes Amy in her arms. ‘My ownest Amy, if they are not both on
their knees to you for the noble way in which you have striven to
prepare this house for them--’
‘Darling Ginevra, all I ask is to be allowed to do my duty.’
‘Listen, then, Amy: your duty is to be able to help your parents in
every way when they return. Your mother having been so long in India
can know little about Life; how sweet, then, for you to be able to
place your knowledge at her feet.’
‘I had thought of that, dearest.’
‘Then Amy, it would be simply wrong of us not to go to another theatre
to-night. I have three and ninepence, so that if you can scrape
together one and threepence--’
‘Generous girl, it can’t be.’
‘Why not, Amy?’
The return of Cosmo handling the telegram more pugnaciously than ever
provides the answer.
‘Cosmo, show Miss Dunbar the telegram.’
Miss Dunbar reads: ‘Boat arrived Southampton this morning.’
‘A day earlier than they expected,’ Amy explains.
‘It’s the other bit I am worrying about,’ Cosmo says darkly. The other
bit proves to be ‘Hope to reach our pets this afternoon. Kisses from
both to all. Deliriously excited. Mummy and Dad.’
Now we see why Cosmo has been in distress.
‘Pets, kisses,’ he cries. ‘What can the telegraph people think.’
‘Surely,’ Amy says, ‘you want to kiss your mother.’
‘I’m going to kiss her,’ he replies stoutly. ‘I mean to do it. It’s
father I am worrying about; with his “kisses to _both_ from _all_.” All
I can say is that, if father comes slobbering over me, I’ll surprise
him.’
Here the outer door slams, and the three start to their feet as if
Philippi had dawned. To Cosmo the slam sounds uncommonly like a
father’s kiss. He immediately begins to rehearse the greeting which is
meant to ward off the fatal blow. ‘How are you, father? I’m glad to
see you, father; it’s a long journey from India; won’t you sit down?’
Amy is the first to recover. ‘How silly of us,’ she says; ‘it is only
nurse with baby.’
Presumably what we hear is a perambulator backing into its stall in
the passage. Then nurse is distinctly heard in the adjoining room, and
we may gather that this is for the nonce the nursery of the house,
though to most occupants it would be the back dining-room. There is a
door between the two rooms, and Cosmo, peeping through a chink in it,
sounds to his fellow-conspirators the All’s Well.
‘Poor nurse,’ Amy says with a kind sigh, ‘I suppose I had better show
her the telegram. She is sure to cry. She looks upon mother as a thief
who has come to steal baby from her.’
Public-domain text, read in full here on John Shaqi.
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