The connection of the London Gas-Light Company's Works with Vauxhall takes us out of the parish of Battersea for a moment into the parish of Lambeth. Vauxhall, the early Spring Garden, was named from its site in the Manor of La Sale Fawkes, Fawkeshall, from its possessor, an obscure Norman adventurer, in the reign of King John.[1] The estate was laid out as a garden about 1661, in squares enclosed with hedges of gooseberries, within which were roses, beans and asparagus. Sir Samuel Morland took a lease of the place in 1665, and added fountains and a sumptuously furnished room for the reception of Charles II. and his court, and a plan dated 1681, shows the gardens planted with trees and laid out in walks and a circle of trees or shrubs. They were frequented by Evelyn and Pepys; and Addison in the _Spectator_, 1712, takes Sir Roger de Coverley there. In 1728, the gardens were leased to Jonathan Tyers, who converted the house into a tavern. The beauty of its rural scenery rendered it so much frequented that the proprietor in the year 1730, introduced vocal music, the price of admission at that time was 1s., but from the competition of others who opened public places of amusement in the neighbourhood, the proprietor introduced a great variety of amusements and raised the price of admission to 2s. During the season of 1807, the price was constantly 2s., the gardens being open only three nights in the week, and each of these nights was what was termed a gala night. Vauxhall Gardens were extensive, they contained a variety of walks illuminated with beautiful transparent paintings. Opposite the west door was a magnificent Gothic orchestra, illuminated with a profusion of lamps of various colours; and on the left was an elegant rotunda, in which the band performed in the cold or rainy weather. At ten o'clock a bell announced the opening of a cascade, with the representation of a water-mill, a mail coach, etc. Fireworks of the most brilliant description were also introduced among the attractions of the place. In numerous recesses, or pavilions, parties were accommodated with suppers and other refreshments and were charged according to a bill of fare. The ham sandwiches were of such an excellent quality and so thinly sliced that they became proverbial. The respective boxes and apartments were adorned with a vast number of paintings, many of which were executed in the best style of their respective theatres. The labours of Hogarth and Hayman were the most conspicuous. On a pedestal, under the arch of a grand portico of the Doric order, was a fine marble statue of Handel, in the character of Orpheus playing on his lyre, done by the celebrated M. Roubiliac. The number of persons who were employed in the gardens during the season is said to have amounted to 400, 96 of whom were musicians and singers, the rest were waiters and servants of various kinds. The celebrated Lowe and Beard were amongst the first singers who were engaged at Vauxhall.