The dug-out has the humblest, though the longest, history of any craft the hand of man has ever shaped. At one time it rose to the dignity of being the liner and the man-of-war of the Pacific coast; for the giant trees there favoured a kind of dug-out that the savage world has never seen elsewhere, except in certain parts of equatorial Africa. At another time, only a century or two ago, dug-outs of twenty feet or so were used in trade between the St Lawrence and the Hudson. They were of white pine, red or white cedar, or of tulip tree; and their crews poled standing or paddled kneeling, for they had no thwarts. They carried good loads, went well, with their canoe-shaped ends, and lasted ten or twelve {20} years if tarred or painted. They were, indeed, one-piece canoes, which they had a perfect right to be, as the word canoe comes from the name the West Indian natives gave their dug-outs when questioned by Columbus. Nowadays the dug-out is generally used for the dirtier work of 'longshore fisheries. It has lost its elegance of form, and may be said to have reverted to a lower type. But this reversion only serves the better to remind the twentieth century of what all sorts of craft were like, not twenty, but two hundred, centuries ago. Secondly comes the Indian bark canoe, so justly famous in the history, romance, and poetry of Canada. As in the case of other craft, its form, size, and material have never been what we call 'standardized.' Indians living outside the birch belt had to use inferior kinds of bark. But the finest type was always made, and is still made, with birch-bark. At least three kinds of tree are necessary for the best results: the birch for the skin, the fir to caulk it with, and the cedar for the sewing fibres and the frame. Only a single tool is needed--a knife; and many a good canoe was built before the whites brought metal knives from Europe. The Indian looks out for the {21} biggest, soundest, and smoothest birch tree in his neighbourhood. He prefers to strip it in the early summer, when the bark is supple with the sap. Sap is as good for the bark as it is bad for the woodwork of canoes and every other kind of craft. The soft inside of the bark is always scraped as clean as a tanner scrapes a hide. If the Indian has to build with dry or frozen bark he is careful to use hot water in stripping the trunk, and he warms the bark again for working. Of course, it is a great advantage to have as few strips as possible, since every seam must first be sewn together by the squaws and then gummed over. Occasionally a tree will be found big and suitable enough to yield a single strip from which a seamless twenty-footer can be built. But this is very rare.