All along the River: A NovelBraddon, M. E. (Mary Elizabeth)
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All along the River: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Great God, how he had loved her! How he had looked up to her, revering
even her weakness as the expression of a childlike purity. And while he
had been praying for her, and dreaming of her, and longing for her, and
thinking of her as the very type of womanly chastity, unapproachable
by temptation, unassailable, secure in her innocence and simplicity
as Athene or Artemis with all their armour of defence; while he had
so loved and trusted her, she had flung herself into the arms of a
profligate--as easily won as the lightest wanton. She had done this
thing, and then she had welcomed him, with wan, sweet smiles, to his
dishonoured home. She had made him drink the cup of shame--a by-word
it might be for the whole parish, as well as for that one man who
had dared to hint at evil. And yet he had forgiven her--forgiven one
to whom pardon meant only a peaceful ending; forgiven as a man holds
himself forgiven by an all-merciful God, as he hears words of pity and
promise murmured into his ear by the priest upon the scaffold, when
the rope is round his neck and the drop is ready to fall. How could
he withhold such pardon when he had been taught that God forgives the
repentant murderer?
CHAPTER XXVIII.
“THOUGH LOVE AND LIFE AND DEATH SHOULD COME AND GO.”
Isola was alone in the spacious Roman drawing-room, its wide windows
open to the soft, warm air. The sun was off that side of the house
now, and the Venetian shutters had been pushed back; and between the
heavy stone pillars of the loggia she saw the orange and magnolia trees
in the garden, and the pale gold of the mimosas beyond. The sun was
shining full upon the Hill of Gardens, that hill at whose foot Nero
was buried in secret at dead of night by his faithful freedman and the
devoted woman who loved him to the shameful end of the shameful life;
that hill whose antique groves the wicked Cæsar’s ghost had once made a
place of terror. The wicked ghost was laid now. Modern civilization had
sent Nero the way of all phantoms; and fashionable Rome made holiday on
the Hill of Gardens. A military band was playing there this afternoon
in the golden light, and the familiar melodies in Don Giovanni were
wafted ever and anon in little gusts of sweetness to the loggia where
the vivid crimson of waxen camelias and the softer rose of oleander
blossoms gave brightness and colour to the dark foliage and the cold
white stone.
Isola heard those far-off melodies faint in the distance--heard without
heeding. The notes were beyond measure familiar, interwoven with the
very fabric of her life, for those were the airs Martin Disney loved,
and she had played them to him nearly every evening in their quiet,
monotonous life. She heard, unheeding, for her thoughts had wandered
back to the night of the ball at Lostwithiel and all that went after
it--the fatal night that struck the death-knell of peace and innocence.
Public-domain text, read in full here on John Shaqi.
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