All along the River: A NovelBraddon, M. E. (Mary Elizabeth)
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All along the River: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
She leant back in her basket-chair, revelling in the rural atmosphere,
and in that new sense of being in the bosom of her family. Tim leapt
upon her lap and licked her face, in token of his acceptance of her
into the home-circle. Nobody had ever called Miss Leland a beauty, nor
had she ever received those disquieting attentions which follow the
footsteps of exceptional loveliness. She was sometimes described as a
girl who grew upon one; and people who knew her well generally ended
by thinking her distractingly pretty. She had a brilliant complexion,
of the true English type, fair and blooming--a complexion which
indicated perfect health and an active, orderly life; no late hours or
novel-reading over the fire--an out-of-door complexion, which would
have looked its best under a neat little felt hat in the hunting-field,
or under a coquettish straw sailor hat on board a yacht. Her eyes were
blue-grey, with long, brown lashes and boldly marked eyebrows; her
nose was firmly modelled, inclining a little to the aquiline order. Her
mouth was the prettiest feature in her face, and yet it was a shade
larger than accepted perfection in mouths. It was a mouth chiefly
remarkable for character and expression; and, indeed, it was the
individuality and variety of expression in the fair young face which
constituted Miss Leland’s chief claim to distinction.
She started up from the nest of basket-work and flowered chintz, and
stood tall and erect, a Juno-like young woman, with heavy plaits
of reddish-brown hair rolled in a great knot at the back of her
head. She might have answered one of those harsh advertisements for
parlour-maids, in which the words, “No fringe,” figure with curt
cruelty; for her hair was brushed smoothly back from the fair forehead,
and the severity of the style became that wide sagacious brow. It was
just the kind of forehead which can endure exposure without conveying
an idea of bald ugliness.
She was tall and strongly made, fashioned after the semblance of Diana
or Atalanta rather than Venus or Psyche. Her every movement had the
bold, free grace of vigorous, unspoiled youth. She had always been
active--fond of walking, riding, rowing, swimming, as well as of art,
and with an ardent passion for the country, which had made existence in
a London suburb one long sacrifice.
Public-domain text, read in full here on John Shaqi.
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