All But Lost: A Novel. Vol. 1 of 3Henty, G. A. (George Alfred)
History
All But Lost: A Novel. Vol. 1 of 3
Henty, G. A. (George Alfred)
Fiction
The men on the banks hurry now, to be up at the starting posts in time.
Some trot along for a little way, by the side of the boat they are most
interested in, watching with anxious eye, the condition and form of each
man, and the regular swing of the crew. Now they have arrived at the
post-reach, and are clustered along the towing path, while the boats, by
this time empty, lie at their respective stations. Their crews stand
alongside, looking grave and anxious, and receive the final words of
advice and admonition from their captains.
At length the last boat has arrived at its post, and the first gun
fires. There are three minutes yet, but the men take their places in
their boats, strip off the upper jerseys and comforters in which they
are wrapped, and, amid a perfect babel of last words, of little speeches
of encouragement and good will, from their friends on the bank, push
slowly off.
The crowd on the towing-path clusters thickest round the first three
boats, but our place is by the fifth, for that contains the men whose
fortunes will be the subject of this story. It is Caius; before it lies
Emanuel, behind it Trinity Hall, confessedly the best crew of the three.
Another gun. The tumult on the bank is hushed as if by magic, umbrellas
are closed, coats buttoned up, and all prepare for a start. The boats
lie out in the middle of the stream; twenty of them in a long line; each
with its eight stalwart oarsmen, all in white, their caps forming the
only distinguishing badges. Each of the coxswains holds in his hand a
rope attached to his post. These are forty yards apart, and each boat’s
bow is therefore only some sixty feet from the rudder of the one before
it.
There is a dead silence, broken only by voices of men on the bank
counting the seconds, and by the short quick orders of the coxswains.
“Fifteen seconds gone;”—“Paddle bow and two;”—“Twenty;” “Thirty;” “Forty
seconds gone;” “Forty-five;”—“Pull half a stroke bow;”—“Fifty;”
“Fifty-five;”—“Forward all;”—“Sixty.” As the word is heard, the gun is
fired; a hundred and sixty oars strike the water as if by one impulse.
At the same moment a roar of exhortation and encouragement breaks from
the crowd on the bank; they set off to run—a wild, pushing, shouting
throng.
No easy matter is it to keep up with the flying boats, jostled and
pushed in that excited, eager crowd. Woe be to him who falls,—fortunate
by comparison he who is pushed into the river. A wild looking set are
they: men in boating dresses of every variety of colour, their arms
waving frantically; men in pea-jackets, and waterproof coats and wraps
of every description; sober reading men, lost in the tumult, bewildered
and hustled, intent only on keeping their feet, all shouting in voices
which grow momentarily hoarse and broken.
Public-domain text, read in full here on John Shaqi.
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