All But Lost: A Novel. Vol. 2 of 3Henty, G. A. (George Alfred)
General
All But Lost: A Novel. Vol. 2 of 3
Henty, G. A. (George Alfred)
Fiction
Arrived at the New Cut, they discharged the cab, and went on foot
through the busy crowd with which that locality is always filled
of a Saturday evening. Hundreds of men were standing about, their
week's work finished, smoking and talking together. The women were
busy shopping, and were engaged in examining the various goods before
purchasing, and in chaffering with the shopmen and costermongers. The
pleasure of shopping is by no means a monopoly of the rich, the poor
enjoy it to at least an equal extent; and no lady can more carefully
examine the texture of the silk dress which the shopman temptingly
holds out before her, or turn over one article after another before
making her selection, than does her poorer sister scrutinise the
markings and colour of a piece of bacon, or turn over the heaps
of cauliflowers and cabbages upon a costermonger's cart. Great is
the noise. The touts at the second-hand furniture and Jew clothing
shops, the butchers, and the itinerant vendors, vie with each other
in their efforts to obtain customers. Half-price has just begun at
the Victoria Theatre, which stands large and black at the corner of
the New Cut, and numbers are flocking in to see the tragedy of “The
Hangman's Stepdaughter; or the Murdered Mother of the Blind Alley.”
Views of this drama, of thrilling interest and in bright colours, are
placed beside the doors, and, illuminated by the bright gaslight,
exhibit scenes of bloodshed and murder, highly enticing to the
frequenters of the threepenny gallery. A few policemen are scattered
among the crowd, but their services are seldom required, except when
some drunken man insists upon fighting everyone, and, refusing all
persuasion to return home, has to be taken to the station-house, in
spite of his struggles and shouts, by two policemen. In the discharge
of this duty, although undertaken solely for the protection of the
public, the police are greeted with much jeering and hooting on the
part of that ungrateful body. And then all goes on quietly for a
time. The gaslights shine brightly out from the gin-palaces, and
great business is in course of being there carried on. Numbers go in
and out, and the glass-doors are ever on the swing. Through these
doors glimpses can be caught of crowds of men and women standing at
the bar drinking, and waiting to be served; while through the open
windows of the room above sounds of singing and of violent thumping
of pewter pots and glasses upon the table come out. Through all this
the four companions slowly made their way, and presently stopped at
the door of one of those establishments popularly known as a penny
gaff,—theatres at which a suicide, three murders, four combats, two
comic songs, and a ballet, are condensed into the space of a quarter
of an hour, and are to be heard for the charge of a penny; dens in
which a perspiring audience inhale a pestilential atmosphere and
vicious ideas together, and which the strong arm of the legislature
Public-domain text, read in full here on John Shaqi.
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