All in the Day's Work: An Autobiography — John Shaqi
All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
The discovery of oil, the growing certainty that it was the beginning of
a new industry, that money was flowing into the Oil Region quickly
brought an invading host of men and women seeking fortunes. It was a new
and rich field for tricksters, swindlers, exploiters of vice in every
known form. They were soon setting up shops in every settlement and, to
the credit of the manhood of the Oil Region, usually being driven out by
self-directed vigilantes.
At Rouseville a “joy boat” which made its way up the Creek that first
winter and tied up near my father’s shop was cut loose in the middle of
the night after its arrival. Its visitors found themselves floating down
the Allegheny River the next morning and obliged to walk back. From that
time open vice shunned the town. But when wealth poured out of the
ground at Petroleum Center there was too great excitement to think of
order, decency. Before it was realized, the town was alive with every
known form of wantonness and wickedness. By the time I was allowed to
visit our friends there, I saw from the corner of my eye as I walked
sedately the length of the street saloons, dance halls, brothels; and I
noted many curious things. The house where I visited stood on a slope
overlooking one of the most notorious dance halls of the Oil Region—Gus
Reil’s. Often I left my bed at night and watched that long low building
from which rose loud laughter, ribald songs, shouts, curses. Later
horror was added to Gus Reil’s fascination, for here a Rouseville boy
was shot one night.
If Petroleum Center was giving me an opportunity to feed my curiosity
about things in the world of which I was not supposed to know, it
happened also to be the indirect means of awaking my interest in the
stars, one of the most beautiful interests of my youth. My father had
seen the early passing of the wooden oil tank, the coming of the iron
tank, and had used his capital to become an oil producer. One of his
first investments had been in an oil farm on the hills above the wicked
town which so excited my curiosity. His partner in this venture, M. E.
Hess, lived on this farm with his family. In that family was a daughter
about my age and bearing my name—Ida. We became friends and visited back
and forth as chance offered. My chance came often when Mr. Hess, riding
with a companion over the hills to Rouseville to consult with father,
dropped his companion and took me back with him, usually at night. A
fine pair of saddle horses he had—“High Fly” and “Shoo Fly.” My first
experience in horseback riding was following him on “Shoo Fly” over the
hills after dark.
Mr. Hess was an altogether unusual man, educated, with a vein of poetry
in him. As we rode he would stop every now and then to name the stars,
trace the constellations, repeat the legends. My first consciousness of
space, its beauty, its something more than beauty, came then.
Public-domain text, read in full here on John Shaqi.
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