All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
In the summer when his family was at a distance J. S. P. came often to
discuss the perplexities of the magazine and rest himself from the
commotion of the office. The Norrises came, and Kathleen named my pig.
Who but Kathleen would have called him “Juicy”? He looked it, fat as
butter. The Siddalls came often, for in the summer we kept their famous
cat, “Sammy Siddall.” The Rices, the Martins, the Bakers—all came to
look on that rough land and shell of a house and wonder, I suspect, how
I could be happy with anything so simple, be satisfied with no more
pretentious plans than I had.
Among those who came in those early days was one who has left a crimson
streak across the history of his time—Jack Reed. Jack, just out of
Harvard, was giving half-time to the _American_, half-time to writing.
We would invite him for the week end but he was never at the station
when we drove over to find him. Likely he had missed his train, taken a
freight—that was more fun. And late in the evening he would come walking
over the hilltop demanding food and a bed, and we would sit long hearing
the adventures of his day.
It was on one of these trips that Jack found near by a natural
amphitheater. Before he had left he had planned to buy the place and
worked out in detail a Greek theater. He started towards New York on
foot, expecting to raise the money from friends en route. “I was all
ready to put up money,” one of them told me not many years ago.
[Illustration:
_From Lumière autochrome by Arnold Genthe, N. Y._
_Miss Tarbell in her garden at her Connecticut farm, 1914_
]
But when Jack was back at his desk in New York he forgot the theater—I
never heard of it afterwards. That was the delightful creature Jack Reed
was, up to the time that he discovered what is called life. He took it
hard. Now his bones lie under a tomb in Moscow, one of the martyrs to
Lenin’s great vision of the communal life.
All this was good for me, cushioned the shock I had suffered, convinced
me that at least I had gotten my hands on something permanent, a
fundamental factor in my future security—a home—a home capable of
feeding me if the worst came to the worst. But while it was good for me
it was not so good for my work on the magazine.
Public-domain text, read in full here on John Shaqi.
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