All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
This Mahoning country had been so rich, so apparently stable. The men
and women so loved what they and their forebears had done that they
yielded slowly to the coal miner and the mill man, but they were giving
way in the eighties. The furnace was in the back yard of the fine old
houses with their ample barns; and the shaft of the coal mine, in the
richest meadows. The effort to reconcile the two was making, but
industry was conquering: the destruction of beauty, the breaking down of
standards of conduct, the growth of the love of money for money’s sake,
the grist of social problems facing the countryside from the inflow of
foreigners and the instability of work—all this was written for him who
could read. I could not read then, but I gathered a few impressions
which I realize now helped shape my future interests and thinking.
It was on these long drives I first learned that not cities alone but
all communities have dregs, slums. Strange that it should be in such a
place as Poland, but here it was—a disreputable fringe where a group of
men and women had long been living together with or without marriage.
You heard strange tales of incest and lust, of complete moral and social
irresponsibility, and they were having a scandalously jolly time of it.
Why I was not more shocked, I do not know; probably because incest and
lust were almost unknown words to me in those days.
And there were indelible impressions of the industrial world. When we
drove into Youngstown, ten miles away, we passed between iron furnaces
lying along the Mahoning River. After the long depression of the
seventies they were again busy, and into the valley were coming hundreds
and hundreds of foreigners brought from Europe by the news that there
was once again work in the United States. It was in passing through the
very heart of this furnace district one night returning from the theater
that I first learned of the terrible dangers that lie in the smelting of
ore. A furnace had burst; men had been trapped by the molten metal, and
their charred remains were being carried across the road. Unforgettable
horror.
And it was on one of these chance drives that I first saw what women can
do in moments of frenzied protest against situations which they cannot
control, first had my faith challenged in the universally peaceful
nature of my sex. I learned the meaning of Maenads, Furies, as we came
upon a maddened, threatening crowd rushing towards the offices of the
mills which had been shut down without warning. It was led by big robust
shrieking women, their hair flying, their clothes disheveled. It was a
look into a world of which I knew nothing, but like the charred bodies
carried across the road as I rode from the theater it was an
unforgettable thing.
Public-domain text, read in full here on John Shaqi.
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