All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
I was leaving Poland, but what was I to do? Today, with my passion for
the microscope still undimmed, I would naturally seek a place in one of
the many laboratories now open to women. Hundreds of women in the
country bent on scientific research are now in industrial,
institutional, or governmental laboratories, but in 1882 there was
almost nothing of that kind open to women. The change is due, first, to
the tremendous advance in scientific research; second, to the way women
have proved their adaptability to laboratory work. No doubt the great
majority of them are, like the majority of women in offices, laboratory
wives, but we have inspired workers among them; probably, all things
considered, as large a proportion as among men.
If things had been as they were in 1876, when I asked my father if he
could put me through college and he had so cheerfully and happily, I
think, agreed, I could have asked to be financed for higher studies. But
things were not as they had been, and it would have been quite out of
the question in 1882, when I decided that my first step towards economic
independence was mistaken, for him to finance me—the country was coming
into a new depression, that of ’83 and ’84, and the oil business was in
a serious state for those who produced the oil.
But my home was open, wide open. I think it was this fact that is at the
bottom of my strong conviction that the home is an essential link in the
security of men and women. After one has gone forth on his own there
frequently comes a time when he is shelterless as far as his own
resources go. To have a refuge of which he is sure is one of the most
heartening and stabilizing experiences in a life. If my Poland venture
was a failure professionally it did not throw me on the street; I had a
place to go and think it over. When I asked my mother if it would be all
right for me to come home, her answer was what it always was to be in
the future when I was obliged (more than once) to make the request: “Of
course, that is your right.” That is, my father and mother looked on the
home they had created not as something belonging only to them—a place
they had for their comfort and privacy, it was a place for all of those
in the family procession who had no other place to go. In turn I saw
that home opened to grandmother and grandfather, aunts and uncles,
children and grandchildren, quite regardless of the extra burden it put
on their resources, limitations on their space, the irritations and
complications that are always bred by the injection of extra persons,
however beloved and close, into a settled group.
It was in June, 1882, that I went back home, dusted my desk in the Tower
room now shared with my sister’s playhouse and dolls—set up my
microscope and went to work on the Hydrozoa. But not for long.
5
A FRESH START—A SECOND RETREAT
Public-domain text, read in full here on John Shaqi.
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