All quiet on the Western FrontRemarque, Erich Maria
History
All quiet on the Western Front
Remarque, Erich Maria
War stories; World War, 1914-1918 -- Fiction
I look for the knife and find it again. But when I begin to cut the
shirt the eyes open once more and the cry is in them again and the
demented expression, so that I must close them, press them shut and
whisper: "I want to help you, Comrade, camerade, camerade,
camerade----" eagerly repeating the word, to make him understand.
There are three stabs. My field dressing covers them, the blood runs
out under it, I press it tighter; there; he groans.
That is all I can do. Now we must wait, wait.
* *
These hours.... The gurgling starts again--but how slowly a man
dies! For this I know--he cannot be saved. Indeed, I have tried to
tell myself that he will be, but at noon this pretence breaks down
and melts before his groans. If only I had not lost my revolver
crawling about, I would shoot him. Stab him I cannot.
By noon I am groping on the outer limits of reason. Hunger devours
me, I could almost weep for something to eat, I cannot struggle
against it. Again and again I fetch water for the dying man and
drink some myself.
This is the first man I have killed with my hands, whom I can see
close at hand, whose death is my doing. Kat and Kropp and Müller
have experienced it already, when they have hit someone; it happens
to many, in hand-to-hand fighting especially--
But every gasp lays my heart bare. This dying man has time with him,
he has an invisible dagger with which he stabs me: Time and my
thoughts.
I would give much if he would but stay alive. It is hard to lie here
and to have to see and hear him.
In the afternoon, about three, he is dead.
I breathe freely again. But only for a short time. Soon the silence
is more unbearable than the groans. I wish the gurgling were there
again, gasping, hoarse, now whistling softly and again hoarse and
loud.
It is mad, what I do. But I must do something. I prop the dead man
up again so that he lies comfortably although he feels nothing any
more. I close his eyes. They are brown, his hair is black and a bit
curly at the sides.
The mouth is full and soft beneath his moustache; the nose is
slightly arched, the skin brownish; it is now not so pale as it was
before, when he was still alive. For a moment the face seems almost
healthy;--then it collapses suddenly into the strange face of the
dead that I have so often seen, strange faces, all alike.
No doubt his wife still thinks of him; she does not know what has
happened. He looks as if he would often have written to her;--she
will still be getting mail from him--To-morrow, in a week's
time--perhaps even a stray letter a month hence. She will read it,
and in it he will be speaking to her.
Public-domain text, read in full here on John Shaqi.
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