All quiet on the Western FrontRemarque, Erich Maria
History
All quiet on the Western Front
Remarque, Erich Maria
War stories; World War, 1914-1918 -- Fiction
The figure opposite me moves. I shrink together and involuntarily
look at it. Then my eyes remain glued to it. A man with a small
pointed beard lies there, his head is fallen to one side, one arm is
half-bent, his head rests helplessly upon it. The other hand lies on
his chest, it is bloody.
He is dead, I say to myself, he must be dead, he doesn't feel
anything any more; it is only the body that is gurgling there. Then
the head tries to raise itself, for a moment the groaning becomes
louder, his forehead sinks back upon his arm. The man is not dead,
he is dying, but he is not dead. I drag myself toward him, hesitate,
support myself on my hands, creep a bit farther, wait, again a
terrible journey of three yards, a long, a terrible journey. At last
I am beside him.
Then he opens his eyes. He must have heard me and gazes at me with a
look of utter terror. The body lies still, but in the eyes there is
such an extraordinary expression of flight that for a moment I think
they have power enough to carry the body off with them. Hundreds of
miles away with one bound. The body is still, perfectly still,
without sound, the gurgle has ceased, but the eyes cry out, yell, all
the life is gathered together in them for one tremendous effort to
flee, gathered together there in a dreadful terror of death, of me.
My legs give way and I drop on my elbows. "No, no," I whisper.
The eyes follow me. I am powerless to move so long as they are there.
Then his hand slips slowly from his breast, only a little bit, it
sinks just a few inches, but this movement breaks the power of the
eyes. I bend forward, shake my head and whisper: "No, no, no," I
raise one hand, I must show him that I want to help him, I stroke his
forehead.
The eyes shrink back as the hand comes, then they lose their stare,
the eyelids droop lower, the tension is past. I open his collar and
place his head more comfortably upright.
His mouth stands half open, it tries to form words. The lips are
dry. My water bottle is not there. I have not brought it with me.
But there is water in the mud, down at the bottom of the crater. I
climb down, take out my handkerchief, spread it out, push it under
and scoop up the yellow water that strains through into the hollow of
my hand.
He gulps it down. I fetch some more. Then I unbutton his tunic in
order to bandage him if it is possible. In any case I must do it, so
that if the fellows over there capture me they will see that I wanted
to help him, and so will not shoot me. He tries to resist, but his
hand is too feeble. The shirt is stuck and will not come away, it is
buttoned at the back. So there is nothing for it but to cut it off.
Public-domain text, read in full here on John Shaqi.
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