Comedy plays; Florence (Italy) -- Drama; Married women -- Drama; Runaway husbands -- Drama
Even so it was with me when I was young.
If ever we are nature's, these are ours; this thorn
Doth to our rose of youth rightly belong;
Our blood to us, this to our blood is born.
It is the show and seal of nature's truth,
Where love's strong passion is impress'd in youth.
By our remembrances of days foregone,
Such were our faults, or then we thought them none.
Her eye is sick on't; I observe her now.
HELENA. What is your pleasure, madam?
COUNTESS. You know, Helen,
I am a mother to you.
HELENA. Mine honourable mistress.
COUNTESS. Nay, a mother.
Why not a mother? When I said 'a mother,'
Methought you saw a serpent. What's in 'mother'
That you start at it? I say I am your mother,
And put you in the catalogue of those
That were enwombed mine. 'Tis often seen
Adoption strives with nature, and choice breeds
A native slip to us from foreign seeds.
You ne'er oppress'd me with a mother's groan,
Yet I express to you a mother's care.
God's mercy, maiden! does it curd thy blood
To say I am thy mother? What's the matter,
That this distempered messenger of wet,
The many-colour'd Iris, rounds thine eye?
Why, that you are my daughter?
HELENA. That I am not.
COUNTESS. I say I am your mother.
HELENA. Pardon, madam.
The Count Rousillon cannot be my brother:
I am from humble, he from honoured name;
No note upon my parents, his all noble.
My master, my dear lord he is; and I
His servant live, and will his vassal die.
He must not be my brother.
COUNTESS. Nor I your mother?
HELENA. You are my mother, madam; would you were-
So that my lord your son were not my brother-
Indeed my mother! Or were you both our mothers,
I care no more for than I do for heaven,
So I were not his sister. Can't no other,
But, I your daughter, he must be my brother?
COUNTESS. Yes, Helen, you might be my daughter-in-law.
God shield you mean it not! 'daughter' and 'mother'
So strive upon your pulse. What! pale again?
My fear hath catch'd your fondness. Now I see
The myst'ry of your loneliness, and find
Your salt tears' head. Now to all sense 'tis gross
You love my son; invention is asham'd,
Against the proclamation of thy passion,
To say thou dost not. Therefore tell me true;
But tell me then, 'tis so; for, look, thy cheeks
Confess it, th' one to th' other; and thine eyes
See it so grossly shown in thy behaviours
That in their kind they speak it; only sin
And hellish obstinacy tie thy tongue,
That truth should be suspected. Speak, is't so?
If it be so, you have wound a goodly clew;
If it be not, forswear't; howe'er, I charge thee,
As heaven shall work in me for thine avail,
To tell me truly.
HELENA. Good madam, pardon me.
COUNTESS. Do you love my son?
HELENA. Your pardon, noble mistress.
COUNTESS. Love you my son?
HELENA. Do not you love him, madam?
Public-domain text, read in full here on John Shaqi.
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