All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
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All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
"Why, Paula----"
"Why, this is wonderful. I can't believe it, _Anson_!"
She took both his hands, and he saw in the freedom of the gesture that
the memory of him had lost poignancy to her. But not to him--he felt
that old mood that she evoked in him stealing over his brain, that
gentleness with which he had always met her optimism as if afraid to mar
its surface.
"We're at Rye for the summer. Pete had to come East on business--you
know of course I'm Mrs. Peter Hagerty now--so we brought the children
and took a house. You've got to come out and see us."
"Can I?" he asked directly. "When?"
"When you like. Here's Pete." The revolving door functioned, giving up a
fine tall man of thirty with a tanned face and a trim mustache. His
immaculate fitness made a sharp contrast with Anson's increasing bulk,
which was obvious under the faintly tight cut-away coat.
"You oughtn't to be standing," said Hagerty to his wife. "Let's sit down
here." He indicated lobby chairs, but Paula hesitated.
"I've got to go right home," she said. "Anson, why don't you--why don't
you come out and have dinner with us to-night? We're just getting
settled, but if you can stand that----"
Hagerty confirmed the invitation cordially.
"Come out for the night."
Their car waited in front of the hotel, and Paula with a tired gesture
sank back against silk cushions in the corner.
"There's so much I want to talk to you about," she said, "it seems
hopeless."
"I want to hear about you."
"Well"--she smiled at Hagerty--"that would take a long time too. I have
three children--by my first marriage. The oldest is five, then four,
then three." She smiled again. "I didn't waste much time having them,
did I?"
"Boys?"
"A boy and two girls. Then--oh, a lot of things happened, and I got a
divorce in Paris a year ago and married Pete. That's all--except that
I'm awfully happy."
In Rye they drove up to a large house near the Beach Club, from which
there issued presently three dark, slim children who broke from an
English governess and approached them with an esoteric cry. Abstractedly
and with difficulty Paula took each one into her arms, a caress which
they accepted stiffly, as they had evidently been told not to bump into
Mummy. Even against their fresh faces Paula's skin showed scarcely any
weariness--for all her physical languor she seemed younger than when he
had last seen her at Palm Beach seven years ago.
At dinner she was preoccupied, and afterward, during the homage to the
radio, she lay with closed eyes on the sofa, until Anson wondered if his
presence at this time were not an intrusion. But at nine o'clock, when
Hagerty rose and said pleasantly that he was going to leave them by
themselves for a while, she began to talk slowly about herself and the
past.
Public-domain text, read in full here on John Shaqi.
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