All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
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All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
The tune the piano was playing at that moment had been gay and new five
years before when Dexter was a sophomore at college. They had played it
at a prom once when he could not afford the luxury of proms, and he had
stood outside the gymnasium and listened. The sound of the tune
precipitated in him a sort of ecstasy and it was with that ecstasy he
viewed what happened to him now. It was a mood of intense appreciation,
a sense that, for once, he was magnificently attune to life and that
everything about him was radiating a brightness and a glamour he might
never know again.
A low, pale oblong detached itself suddenly from the darkness of the
Island, spitting forth the reverberate sound of a racing motor-boat. Two
white streamers of cleft water rolled themselves out behind it and
almost immediately the boat was beside him, drowning out the hot tinkle
of the piano in the drone of its spray. Dexter raising himself on his
arms was aware of a figure standing at the wheel, of two dark eyes
regarding him over the lengthening space of water--then the boat had
gone by and was sweeping in an immense and purposeless circle of spray
round and round in the middle of the lake. With equal eccentricity one
of the circles flattened out and headed back toward the raft.
"Who's that?" she called, shutting off her motor. She was so near now
that Dexter could see her bathing-suit, which consisted apparently of
pink rompers.
The nose of the boat bumped the raft, and as the latter tilted rakishly
he was precipitated toward her. With different degrees of interest they
recognized each other.
"Aren't you one of those men we played through this afternoon?" she
demanded.
He was.
"Well, do you know how to drive a motor-boat? Because if you do I wish
you'd drive this one so I can ride on the surf-board behind. My name is
Judy Jones"--she favored him with an absurd smirk--rather, what tried to
be a smirk, for, twist her mouth as she might, it was not grotesque, it
was merely beautiful--"and I live in a house over there on the Island,
and in that house there is a man waiting for me. When he drove up at the
door I drove out of the dock because he says I'm his ideal."
There was a fish jumping and a star shining and the lights around the
lake were gleaming. Dexter sat beside Judy Jones and she explained how
her boat was driven. Then she was in the water, swimming to the floating
surf-board with a sinuous crawl. Watching her was without effort to the
eye, watching a branch waving or a sea-gull flying. Her arms, burned to
butternut, moved sinuously among the dull platinum ripples, elbow
appearing first, casting the forearm back with a cadence of falling
water, then reaching out and down, stabbing a path ahead.
They moved out into the lake; turning, Dexter saw that she was kneeling
on the low rear of the now uptilted surf-board.
"Go faster," she called, "fast as it'll go."
Public-domain text, read in full here on John Shaqi.
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