All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
General
All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
On Sunday morning Carl Miller awoke in the dustless quiet of six o'clock.
Kneeling by the side of the bed he bent his yellow-gray hair and the
full dapple bangs of his mustache into the pillow, and prayed for
several minutes. Then he drew off his night-shirt--like the rest of his
generation he had never been able to endure pajamas--and clothed his
thin, white, hairless body in woollen underwear.
He shaved. Silence in the other bedroom where his wife lay nervously
asleep. Silence from the screened-off corner of the hall where his son's
cot stood, and his son slept among his Alger books, his collection of
cigar-bands, his mothy pennants--"Cornell," "Hamlin," and "Greetings
from Pueblo, New Mexico"--and the other possessions of his private life.
From outside Miller could hear the shrill birds and the whirring
movement of the poultry, and, as an undertone, the low, swelling
click-a-tick of the six-fifteen through-train for Montana and the green
coast beyond. Then as the cold water dripped from the wash-rag in his
hand he raised his head suddenly--he had heard a furtive sound from the
kitchen below.
He dried his razor hastily, slipped his dangling suspenders to his
shoulder, and listened. Some one was walking in the kitchen, and he knew
by the light footfall that it was not his wife. With his mouth faintly
ajar he ran quickly down the stairs and opened the kitchen door.
Standing by the sink, with one hand on the still dripping faucet and the
other clutching a full glass of water, stood his son. The boy's eyes,
still heavy with sleep, met his father's with a frightened, reproachful
beauty. He was barefooted, and his pajamas were rolled up at the knees
and sleeves.
For a moment they both remained motionless--Carl Miller's brow went down
and his son's went up, as though they were striking a balance between
the extremes of emotion which filled them. Then the bangs of the
parent's moustache descended portentously until they obscured his mouth,
and he gave a short glance around to see if anything had been disturbed.
The kitchen was garnished with sunlight which beat on the pans and made
the smooth boards of the floor and table yellow and clean as wheat. It
was the centre of the house where the fire burned and the tins fitted
into tins like toys, and the steam whistled all day on a thin pastel
note. Nothing was moved, nothing touched--except the faucet where beads
of water still formed and dripped with a white flash into the sink
below.
"What are you doing?"
"I got awful thirsty, so I thought I'd just come down and get----"
"I thought you were going to communion."
A look of vehement astonishment spread over his son's face.
"I forgot all about it."
"Have you drunk any water?"
"No----"
Public-domain text, read in full here on John Shaqi.
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