Philosophy; Russian literature -- History and criticism
In spite of Epicurus and his exasperation we are forced to admit that
anything whatsoever may result from anything whatsoever. Which does
not mean, however, that a stone ever turned into bread, or that our
visible universe was ever "naturally" formed from nebulous puffs. But
from our own minds and our own experience we can deduce nothing that
would serve us as a ground for setting even the smallest limit to
nature's own arbitrary behaviour. If whatever happens now had chanced
to happen quite differently, it would not, therefore, have seemed any
the less _natural_ to us. In other words, although there may be an
element of inevitability in our human judgments concerning the natural
phenomena, we have never been able and probably never shall be able
to separate the grain of inevitable from the chaff of accidental and
casual truth. Moreover, we do not even know which is more essential
and important, the inevitable or the casual. Hence we are forced to
the conclusion that philosophy must give up her attempt at finding the
_veritates aeternae_. The business of philosophy is to teach man to
live in uncertainty--man who is supremely afraid of uncertainty, and
who is forever hiding himself behind this or the other dogma. More
briefly, the business of philosophy is not to reassure people, but to
upset them.
12
When man finds in himself a certain defect, of which he can by no means
rid himself, there remains but to accept the so-called failing as a
natural quality. The more grave and important the defect, the more
urgent is the need to ennoble it. From sublime to ridiculous is only
one step, and an ineradicable vice in strong men is always rechristened
a virtue.
13
On the whole, there is little to choose between metaphysics and
positivism. In each there is the same horizon, but the composition and
colouring are different. Positivism chooses grey, colourless paint
and ordinary composition; metaphysics prefers brilliant colouring
and complicated design, and always carries the vision away into the
infinite; in which trick it often succeeds, owing to its skill in
perspective. But the canvas is impervious, there is no melting through
it into "the other world." Nevertheless, skilful perspectives are very
alluring, so that metaphysicians will still have something to quarrel
about with the positivists.
14
The task of a writer: to go forward and share his impressions with his
reader. In spite of everything to the contrary, he is not obliged to
_prove_ anything. But, because every step of his progress is dogged by
those police agents, morality, science, logic, and so forth, he needs
always to have ready some sort of argument with which to frustrate
them. There is no necessity to trouble too deeply about the quality
of the argumentation. Why fret about being "inwardly right." It is
quite enough if the reasoning which comes handiest will succeed in
occupying those guardians of the verbal highways whose intention it is
to obstruct his passage.
15
Public-domain text, read in full here on John Shaqi.
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