"That is because we have set up false standards of beauty. If we examine
the finest statuary of all ages, we shall not find a single figure that
has been accustomed to tight clothing. The artist copies God's ideal
figure of the woman, not that of the fashion plate. You see, we have
become so accustomed to the deformed figure that we call it beautiful,
just as the Chinese woman thinks her deformed foot is beautiful."
"O, isn't it dreadful that the Chinese bind up the feet of the little
girls as they do?"
"It certainly is; but not as dreadful as that Christian women bind up
the vital parts of the body and prevent their working as they should.
One can live without feet, but one could not live without heart and
lungs and other vital organs, and can only half live when these organs
are cramped and crowded together so they cannot work properly. If we
were all truly artistic we would be pained at the sight of the small
waist, for we should know that it was procured at the expense of the
vital organs. You have heard of the statue of the Venus de Medici,
renowned as being the most beautiful representation of a woman's
figure?"
"O, yes, I have seen pictures of it."
"A certain English actress was called a model of loveliness in form and
feature. Some one has made a comparison between the two. Here are the
pictures and measurements:
[Illustration]
Bust measure 36
Waist 26
Hip 45
Fig. 1
Bust measure 38
Waist 32
Hip 43
Fig. 2
"You see how graceful the curves of the Venus (Fig. 2), how abrupt those
of the actress (Fig. 1), and yet to most people her figure looks the
more elegant. But I want to call your attention to the fact that to
create her figure is really to lose much space, and to crowd together
the important vital organs until their working power is greatly
hindered. This same actress has become enlightened and now says: 'Of
course, no woman can breathe properly in a tightly-laced corset. I am
horrified when I think of the way I used to compress my waist, and look
back at the pictures showing my hour-glass figure with positive
amazement.'
Public-domain text, read in full here on John Shaqi.
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