"No, indeed. Ah, that cupola! Ah, Brunelleschi--che genio!" "I perceive you are a true Florentine. Could you perhaps tell me why Florentines, coming home from abroad, always rejoice to see it rising out of the plain?" "Some enemy has been talking to you...." A little red-haired boy from Lucca, carrying for sale a trayful of those detestable plaster-casts, then accosted me. Who bought such abominations, I inquired? Nobody. Business was bad. Bad? I could well believe it. Having for the first time in my life nothing better to do, I did my duty. I purchased the entire collection of these horrors, on the understanding that he should forthwith convey them in my presence to the desolate public garden, where they were set up, one after the other, on the edge of a bench and shattered to fragments with our snow-balls. Thus perished, not without laughter and in a good cause, three archangels, two Dantés, a nondescript lady with brocade garments and a delectable amorino whose counterpart, the sole survivor, was reserved for a better fate--being carried home and presented as a gift to my chambermaid. She was polite enough to call it a beautiful work of art. I was polite enough not to contradict her. Both of us know better.... This young girl has no illusions (few Tuscans have) and yet a great charm. Her lover is at the front. There is little for her to do, the hotel being practically empty. There is nothing whatever for me to do, in these Arctic latitudes. Bored to death, both of us, we confabulate together huddled in shawls and greatcoats, each holding a charcoal pan to keep the fingers from being frostbitten. I say to myself: "You will never find a maidservant of this type in Rome, so sprightly of tongue, distinguished in manner and spotless in person--never!" The same with her words. The phrases trip out of her mouth, immaculate, each in full dress. Seldom does she make an original remark, but she says ordinary things in a tone of intense conviction and invests them with an appetizing savour. Wherein lies that peculiar salt of Tuscan speech? In its emphasis, its air of finality. They are emphatic, rather than profound. Their deepest utterances, if you look below the surface, are generally found to be variants of one of those ancestral saws or proverbs wherewith the country is saturated. Theirs is a crusted charm. A hard and glittering sanity, a kind of ageless enamel, is what confronts us in their temperament. There are not many deviations from this Tuscan standard. Close by, in Umbria, you will find a softer type. One can be passably warm in bed. Here I lie for long, long hours, endeavouring to generate the spark of energy which will propel me from this inhospitable mountain. Here I lie and study an old travel-book. I mean to press it to the last drop.