Alone on a Wide Wide Sea, Vol. 2 (of 3)Russell, William Clark
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Alone on a Wide Wide Sea, Vol. 2 (of 3)
Russell, William Clark
English fiction -- 19th century; Sea stories
I had slumbered deeply during the night, and awoke with a sense of
refreshment and of strength which lightened my spirits even to
cheerfulness. My spirits were easier because I felt better, and I
could not feel better without hoping that, as I gained strength, my
memory would return to me. I was greatly refreshed by putting on the
under-linen that had been lent to me. I also wore Miss Lee’s dress,
for it was my intention to mingle with the passengers this day. The
material was a fine dark-green cloth. The shifted buttons made the
bosom a little awry, but this was a trifling and scarce noticeable
defect, and wholly atoned for by the excellent fit of the dress. Oh,
it must be as they tell me, I thought to myself as I looked into the
square of mirror. My figure is that of a young woman. I cannot be so
old as my face seems to represent me. Who am I? Who am I?
But I was rescued from one of my depressing, heart-subduing reveries by
the timely entrance of the stewardess with my breakfast. She brought a
message from Miss Lee. Would I visit her at eleven? I answered ‘Yes, I
would visit her with the greatest pleasure.’
‘And will you lunch in the saloon?’ said Mrs. Richards.
‘Yes,’ I answered.
‘That is right,’ said she, ‘and this breakfast shall be your last meal
in this gloomy little cabin.’
I did not care to immediately leave my berth after breakfast, so I
opened one of Mrs. Richards’ books and found I could read. The book
was ‘Jane Eyre,’ a novel that I had formerly delighted in, but now it
was all new to me and I read it as for the first time. I opened it by
chance and my eye rested upon a passage, and beginning to read I read
on. The part I had lighted on described Jane Eyre wandering lonely,
starving, soaked through, in the dark of a bitter moorland night after
she flees from the house of Mr. Rochester. I continued to read till the
tears blurred the page to my sight, and whilst I thus sat Mr. McEwan
entered.
‘Well, any memory this morning?’
I shook my head and put away the book. He instantly saw that I had been
weeping, but took no notice.
‘I believe it’s that bandage,’ said he, ‘which keeps you mumping and
dumping down in this darksome steerage. You think it is not becoming.
Well, now let us see if you can manage without it.’
He removed it, and backed away as though looking at a picture. ‘Your
nose is broken,’ said he.
‘I feared so,’ I exclaimed.
‘But it is broken,’ said he, ‘in such a way as to improve your looks.
Did you ever see a portrait of the famous Lady Castlemaine?’ I said no.
‘Congratulate yourself,’ said he. ‘Your nose is now exactly the shape
of the nose in the portrait of the celebrated Lady Castlemaine. The
scar looks a little angry, but you can do without the bandage. Pray, my
dear lady, don’t stare at the looking glass. When are you coming into
the saloon? Very well; we shall meet at the luncheon table,’ said he,
when I had answered him, and with an abrupt nod he left me.
Public-domain text, read in full here on John Shaqi.
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