Alone on a Wide Wide Sea, Vol. 2 (of 3) — John Shaqi
Alone on a Wide Wide Sea, Vol. 2 (of 3)Russell, William Clark
General
Alone on a Wide Wide Sea, Vol. 2 (of 3)
Russell, William Clark
English fiction -- 19th century; Sea stories
The conversation became general, and the long and gleaming interior was
filled with the hum of it, with the sounds of corks drawn, with the
noise of knives and forks busily plied upon crockery ware. There was
also a dull echo of wind, a dim hissing of broken and flying waters,
that gave a singular effect to this hospitable picture of gentlemen and
well-dressed ladies eating and drinking.
I listened to the conversation, but what I heard of it conveyed no
meaning to my mind. For example, Sir Frederick Thompson spoke of having
visited a certain London theatre a couple of nights before the vessel
sailed.
‘I never saw such a full ’ouse,’ he said. ‘Yet it was Shakespeare--it
was “’Amlet.” They clapped when Ophelia came on mad, but it was the
scenery that gave the satisfaction. Without the scenery there would
have been no ’ouse; and though I consider Shakespeare top-weight as
a writer, what I say is, since it’s scenery that takes, why don’t
managers draw it mild and give us plays easy to follow and written in
the language that men and women speak?’
He seemed partly to address this speech to me, and I listened, but
hardly understood him. Others talked of Australia and the growth of the
colonies, of England, of emigration, of many such matters; but, so far
as my understanding of their speech went, they might have discoursed
in a foreign tongue. The captain, at the head of the table, spoke
seldom, and then with a grave face and a sober voice. Occasionally he
glanced at me. I do not doubt that many watched me, to remark how I
behaved. Knowing that I had no memory, they might well wonder whether
I should not often be at a loss, and stare to see if I knew what to do
with my glass, my plate, and my napkin.
Before lunch was half over Mr. Wedmold and Mr. Clack, who immediately
confronted Mrs. Webber, raised their voices in a discussion. Mrs. Lee,
leaning behind me to her daughter, exclaimed:
‘Those unhappy men are going to begin!’
‘What do they intend to argue about?’ said Alice, in her soft voice,
looking towards them.
There was no need to inquire of our neighbours, for the two
gentlemen’s voices rose high above all others.
‘It is idle to speak of Carlyle as a good writer,’ exclaimed Mr.
Wedmold; ‘his style is as barbarous as his matter is trite. Never was
reputation so cheaply earned as Carlyle’s. His philosophy is worth
about twopence-ha’penny. Here is a great original writer, who goes to
the Son of Sirach, and to Solomon, and to Collections of the Proverbs
of Nations, and taking here a thought and there a thought, he dresses
it up in a horrid jargon, harder than Welsh, more repulsive than
Scotch, more jaw-breaking than German, puts his name to it, and offers
the fine old fancy in its vile new dress as something original!’
‘It is not Dickens and Thackeray to-day,’ said Mrs. Lee.
Public-domain text, read in full here on John Shaqi.
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