Essays; Humorous stories, American; Short stories; United States -- Social life and customs -- 19th century -- Fiction
“I feel it, aunt, but this is very serious. It affects me deeply--me,
and all the family---even the whole community.”
“Oh, Alonzo, tell me! I will never breathe a word of it. What is it?”
“Aunt, if I might dare--”
“Oh, please go on! I love you, and feel for you. Tell me all. Confide in
me. What is it?”
“The weather!”
“Plague take the weather! I don't see how you can have the heart to
serve me so, Lon.”
“There, there, aunty dear, I'm sorry; I am, on my honor. I won't do it
again. Do you forgive me?”
“Yes, since you seem so sincere about it, though I know I oughtn't to.
You will fool me again as soon as I have forgotten this time.”
“No, I won't, honor bright. But such weather, oh, such weather! You've
got to keep your spirits up artificially. It is snowy, and blowy, and
gusty, and bitter cold! How is the weather with you?”
“Warm and rainy and melancholy. The mourners go about the streets with
their umbrellas running streams from the end of every whalebone. There's
an elevated double pavement of umbrellas, stretching down the sides of
the streets as far as I can see. I've got a fire for cheerfulness, and
the windows open to keep cool. But it is vain, it is useless: nothing
comes in but the balmy breath of December, with its burden of mocking
odors from the flowers that possess the realm outside, and rejoice in
their lawless profusion whilst the spirit of man is low, and flaunt
their gaudy splendors in his face while his soul is clothed in sackcloth
and ashes and his heart breaketh.”
Alonzo opened his lips to say, “You ought to print that, and get it
framed,” but checked himself, for he heard his aunt speaking to some
one else. He went and stood at the window and looked out upon the wintry
prospect. The storm was driving the snow before it more furiously than
ever; window-shutters were slamming and banging; a forlorn dog, with
bowed head and tail withdrawn from service, was pressing his quaking
body against a windward wall for shelter and protection; a young girl
was plowing knee-deep through the drifts, with her face turned from the
blast, and the cape of her waterproof blowing straight rearward over her
head. Alonzo shuddered, and said with a sigh, “Better the slop, and the
sultry rain, and even the insolent flowers, than this!”
He turned from the window, moved a step, and stopped in a listening
attitude. The faint, sweet notes of a familiar song caught his ear. He
remained there, with his head unconsciously bent forward, drinking in
the melody, stirring neither hand nor foot, hardly breathing. There was
a blemish in the execution of the song, but to Alonzo it seemed an added
charm instead of a defect. This blemish consisted of a marked flatting
of the third, fourth, fifth, sixth, and seventh notes of the refrain or
chorus of the piece. When the music ended, Alonzo drew a deep breath,
and said, “Ah, I never have heard 'In the Sweet By-and-by' sung like
that before!”
Public-domain text, read in full here on John Shaqi.
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