And yesterday there appeared on the table the famous _cafetière_ and Sérin, his face shining with a great light, performed the rites. It was one of those large, high glass bulbs with a nickel coffee-pot below. Dry coffee is put into the glass bulb, water into the pot, an alcohol-lamp beneath, and the whole is hermetically sealed. After which, according to the mysterious and wonderful laws of nature, the water rises and wets the coffee; it must rise thrice, giving forth at the same time volcanic sounds. During the ceremony nothing else is thought of. The officiating high priest is harried with liturgical suggestions, or unkind remarks are made about his natural endowments. As that corked spout of the pot, horrid with potentialities, is turned now toward one, now toward the other, men who would have given their lives without a thought in the trenches, get nervous and call to Sérin, “_Dis-donc, tu vas me crever un œil!_” “Not toward Madame. It would be too terrible,” etc., etc., and in the end the spout, with all its possibilities, is turned toward the Oberforster’s made-in-Germany clock. After which one has a delicious cup of coffee and conversation becomes normal.[10] Last night I found they were talking about giving a certificate of good conduct to one of them who is married, to take home with him to reassure his wife. A comrade, after a little badinage in the Latin manner, but very discreet I must say, objects: “But now there won’t be any _permissions_,” and, doubtfully, “We would have to give him the certificate for three whole months.” Then, like the antiphon of some song, a voice said, “_Trois mois, c’est long_.” Another said, “_Trois mois, c’est très long_.” Another, with a sigh, “_C’est trop long_....” And I to smile—within myself. Then a stumbling home on an invisible but strong horizon-blue arm, through the inky streets, ankle-deep in mud. Sometimes I haven’t known which one of the various kind arms it was, the electric pocket-lamp only occasionally making the darkness more manifest. No one to bump into, as circulation in the streets is forbidden after nine o’clock, on account of possible espionage. And you will say these are pleasant days! _Later._—Hunting in the bookcase, I found a small diamond-printed copy of _Hermann und Dorothea_. As, to the sound of near night-firing, I turned its smooth old pages, I realized it for one of the most completely objective works of genius ever born into the world. No thread of its maker’s identity is woven with it, no color of his personal experience. I felt but a sense of his complete and serene equilibrium, though the stream of words, bearing those golden thoughts, was so softly flowing, so crystal-clear, that it made me remember a line from another of Goethe’s poems, as subjective as this is objective: _Der Geist ist Bräutigam._ _Wort sei die Braut._