Illegitimate children -- Fiction; Married women -- Fiction; Mothers and sons -- Fiction
It was at Lady Elliston's country house that Amabel first met Paul
Quentin. He was a daring young novelist who was being made much of
during those years; for at that still somewhat guileless time to be
daring had been to be original. His books had power and beauty, and he
had power and beauty, fierce, dreaming eyes and an intuitive, sudden
smile. Under his aspect of careless artist, his head was a little turned
by his worldly success, by great country-houses and flattering great
ladies; he did not take the world as indifferently as he seemed to.
Success edged his self-confidence with a reckless assurance. He was an
ardent student of Nietzsche, at a time when that, too, was to be
original. Amabel met this young man constantly at the dances and country
parties of a season. And, suddenly, the world changed. It was not dawn
and it was not daylight; it was a wild and beautiful illumination like
torches at night. She knew herself loved and her own being became
precious and enchanting to her. The presence of the man who loved her
filled her with rapture and fear. Their recognition was swift. He told
her things about herself that she had never dreamed of and as he told
them she felt them to be true.
To other people Paul Quentin did not speak much of Lady Channice. He
early saw that he would need to be discreet. One day at Lady Elliston's
her beauty was in question and someone said that she was too pale and
too impassive; and at that Quentin, smiling a little fiercely, remarked
that she was as pale as a cowslip and as impassive as a young Madonna;
the words pictured her; her fresh Spring-like quality, and the peace, as
of some noble power not yet roused.
In looking back, it was strange and terrible to Lady Channice to see how
little she had really known this man. Their meetings, their talks
together, were like the torchlight that flashed and wavered and only
fitfully revealed. From the first she had listened, had assented, to
everything he said, hanging upon his words and his looks and living
afterward in the memory of them. And in memory their significance seemed
so to grow that when they next met they found themselves far nearer than
the words had left them.
Public-domain text, read in full here on John Shaqi.
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