She loved beauty for its own sake--she loved the sunlight, the grass and
trees, the gleaming water, the colours of the fields and of the sky. To
listen to the running water was to her a dear delight, to the wind in
the high firs, or caught in the wide-stretching arms of the oak; she
rested among these things, they were to her mind as sleep to the body.
The few good pictures she had seen pleased her, but did not rouse the
emotion the sunlight caused; artificial music was enjoyable, but not
like the running stream. It said nothing--the stream was full of
thought.
No eager desire to paint like that or play like that was awakened by
pictures or music; Amaryllis was a passive and not an active artist by
nature. And I think that is the better part; at least, I know it is a
thousand times more pleasure to me to see a beautiful thing than to
write about it. Could I choose I would go on seeing beautiful things,
and not writing.
Amaryllis had no ambition whatever for name or fame; to be silent in the
sunshine was enough for her. By chance she had inherited the Flamma
talent--she drew at once without effort or consideration; it was not so
much to her as it is to me to write a letter.
The thought to make use of her power did not occur to her until the
preceding Christmas. Roast beef and plum pudding were a bitter mockery
at Coombe Oaks--a sham and cold delusion, cold as snow. A "merry
Christmas"--holly berries, mistletoe--and behind these--debt. Behind the
glowing fire, written in the flames--debt; in the sound of the distant
chimes--debt. Now be merry over the plum-pudding while the wolves gnash
their teeth, wolves that the strongest bars cannot keep out.
Immediately the sacred day was past they fell in all their fury upon
Iden. Pay me that thou owest! The one only saying in the Gospel
thoroughly engrained in the hearts of men. Pay me that thou owest! This
is the message from the manger at Bethlehem of our modern Christmas.
[Illustration]
CHAPTER XXI.
SO Amaryllis went up into the gaunt, cold room at the top of the house,
and bent herself seriously to drawing. There was no fireplace, and if
there had been they could not have allowed her coals; coals were dear.
It was quite an event when the horse and cart went to the wharf for
coal. There was plenty of wood for the hearth--wood grew on the
farm--but coal was money.
The March winds howled round the corner of the old thatched house, and
now and again tremendous rains blew up against the little western window
near which she had placed her table. Through the silent cold of January,
the moist cold of February, the east winds and hurricane rains of March,
Amaryllis worked on in her garret, heedless of nipped fingers and
chilled feet.
Public-domain text, read in full here on John Shaqi.
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