Sometimes she looked out of the window and watched Iden digging in the
garden underneath, planting his potatoes, pruning his trees and shrubs,
or farther away, yonder in the meadow, clearing out the furrows that
the water might flow better--"trenching," as he called it.
The harder it rained the harder he worked at this in the open, with a
sack about his shoulders like a cloak; the labourers were under shelter,
the master was out in the wet, hoping by guiding the water to the grass
to get a larger crop of hay in June.
Bowed under his sack, with his rotten old hat, he looked a woful figure
as the heavy shower beat on his back. But to Amaryllis he was always her
father.
Sometimes she went into the next room--the lumber-room--only lighted by
a window on a level with the floor, a window which had no glass, but
only a wire network. Sitting on the floor there, she could see him at
the stile across the road, his hands behind his back, gossiping now with
another farmer or two, now with a labourer, now with an old woman
carrying home a yoke of water from the brook.
The gossiping hurt Amaryllis even more than the work in the cold rain;
it seemed so incongruous, so out of character, so unlike the real Iden
as she knew him.
That he, with his great, broad and noble forehead, and his profile like
Shakespeare, should stand there talk, talk, talking on the smallest
hamlet topics with old women, and labourers, and thickheaded farmers,
was to her a bewilderment and annoyance.
She could not understand it, and she resented it. The real Iden she knew
was the man of thought and old English taste, who had told her so much
by the fireside of that very Shakespeare whom in features he resembled,
and of the poets from Elizabethan days downwards. His knowledge seemed
to be endless; there was no great author he had not read, no subject
upon which he could not at least tell her where to obtain information.
Yet she knew he had never had what is now called an education. How
clever he must be to know all these things! You see she did not know how
wonderful is the gift of observation, which Iden possessed to a degree
that was itself genius. Nothing escaped him; therefore his store was
great.
No other garden was planted as Iden's garden was, in the best of old
English taste, with old English flowers and plants, herbs and trees. In
summer time it was a glory to see: a place for a poet, a spot for a
painter, loved and resorted to by every bird of the air. Of a bare old
farmhouse he had made a beautiful home.
Questions upon questions her opening mind had poured upon him, and to
all he had given her an answer that was an explanation. About the earth
and about the sea, the rivers, and living things; about the stars and
sun, the comet, the wonders of the firmament, of geology and astronomy,
of science; there was nothing he did not seem to know.
Public-domain text, read in full here on John Shaqi.
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