Germany -- Foreign relations -- Turkey; Turkey -- Foreign relations -- Germany; World War, 1914-1918 -- Turkey
Meanwhile Wangenheim had accomplished his great diplomatic success. From
the _Corcovado_ wireless station in the Bosphorus he was sending the
most agreeable news to Admiral Souchon. He was telling him to hoist the
Turkish flag when he reached the Strait, for Admiral Souchon’s cruisers
had suddenly become parts of the Turkish navy, and, therefore, the usual
international prohibitions did not apply. These cruisers were no longer
the _Goeben_ and the _Breslau_, for, like an oriental magician,
Wangenheim had suddenly changed them into the _Sultan Selim_ and the
_Medilli_. The fact was that the German Ambassador had cleverly taken
advantage of the existing situation to manufacture a “sale.” As I have
already told, Turkey had two dreadnaughts under construction in England
when the war broke out. These ships were not exclusively governmental
enterprises; their purchase represented what, on the surface, appeared
to be a popular enthusiasm of the Turkish people. They were to be the
agencies through which Turkey was to attack Greece and win back the
islands of the Ægean, and the Turkish people had raised the money to
build them by a so-called popular subscription. Agents had gone from
house to house, painfully collecting these small sums of money; there
had been entertainments and fairs, and, in their eagerness for the
cause, Turkish women had sold their hair for the benefit of the common
fund. These two vessels thus represented a spectacular outburst of
patriotism that was unusual in Turkey, so unusual, indeed, that many
detected signs that the Government had stimulated it. At the very moment
when the war began, Turkey had made her last payment to the English
shipyards and the Turkish crews had arrived in England prepared to take
the finished vessels home. Then, a few days before the time set to
deliver them, the British Government stepped in and commandeered these
dreadnaughts for the British navy.
Public-domain text, read in full here on John Shaqi.
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