Ambrose Lavendale, DiplomatOppenheim, E. Phillips (Edward Phillips)
History
Ambrose Lavendale, Diplomat
Oppenheim, E. Phillips (Edward Phillips)
English fiction -- 20th century; Short stories, English; Spy stories, English
The gangway was thrown across. The young man saluted, and Suzanne
stepped on to the rain-sodden dock. An official stepped up to her at
once.
'Miss de Freyne?' he inquired.
'Yes?'
'There is a special waiting here for General Matravers. I have had
instructions to attach a coach for you.'
'That is very delightful!' she exclaimed. 'Shall I follow you?'
The man piloted her across the track and handed her into an ordinary
first-class compartment attached to the waiting train.
'Sorry we've had to give the saloon to General Matravers,' he
explained. 'Will you have any tea or coffee, or anything to eat?'
She gave an order to the refreshment boy whom he summoned, and threw
herself down with a sigh of content into the corner seat. Presently a
tall man in khaki, with his arm in a sling and leaning upon a stick,
came up the platform, followed by two junior officers. He was shown at
once into the saloon and a little murmur of animated conversation
arose. Five minutes later the train glided away, leaving the two
junior officers disconsolate upon the long, wooden platform; passed
through the two stations, and, gathering speed at every moment, rushed
away northwards.
Suzanne had more than once boasted that she had no nerves. She
finished her coffee and sandwiches, lit a cigarette and curled herself
up in her corner. For a few moments she looked out into the darkness,
watching the scanty lights. Then her eyes turned, entirely by chance,
towards the door which connected her carriage with the saloon. They
had no sooner rested upon it than a queer, inexplicable sense of
uneasiness crept over her. She tried to look away from it, to look out
of the opposite window, to interest herself in the evening paper. She
read a line or two, then found herself slowly lowering the sheet, found
herself peering over the top towards that closed door of dark red
mahogany with its brass handle. She threw the paper down, walked to
the end of the carriage and back again. She must be going mad, she
told herself. The only occupant of that saloon was a wounded soldier
of great distinction, a General whose deeds in the earlier stages of
the war had made history. He was alone there without even an A.D.C.,
and in any case the door was probably locked. What cause of uneasiness
for her could there be in his proximity? She fought against her fit of
nerves valiantly, but she found herself tearing the paper into small
pieces, crumbling the remains of her roll between her fingers, sipping
desperately the remnants of her cold coffee. And all the time her eyes
seemed glued upon that brass door-knob. If it should move! She set
her teeth to keep from screaming. When the thing really happened, it
seemed to bring, to a certain extent, release from her hysterical
fears. Yet for the first few seconds it paralyzed her. The handle
turned, slowly and deliberately. The door was pushed open towards her.
A man looked in, stooping by reason of his height, a lean, gaunt man
Public-domain text, read in full here on John Shaqi.
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