Didactic fiction; Domestic fiction; England -- Fiction; Married women -- Fiction
The various accidents which befel a very worthy couple after their
uniting in the state of matrimony will be the subject of the following
history. The distresses which they waded through were some of them so
exquisite, and the incidents which produced these so extraordinary,
that they seemed to require not only the utmost malice, but the utmost
invention, which superstition hath ever attributed to Fortune: though
whether any such being interfered in the case, or, indeed, whether
there be any such being in the universe, is a matter which I by no means
presume to determine in the affirmative. To speak a bold truth, I am,
after much mature deliberation, inclined to suspect that the public
voice hath, in all ages, done much injustice to Fortune, and hath
convicted her of many facts in which she had not the least concern.
I question much whether we may not, by natural means, account for the
success of knaves, the calamities of fools, with all the miseries
in which men of sense sometimes involve themselves, by quitting
the directions of Prudence, and following the blind guidance of a
predominant passion; in short, for all the ordinary phenomena which are
imputed to Fortune; whom, perhaps, men accuse with no less absurdity in
life, than a bad player complains of ill luck at the game of chess.
But if men are sometimes guilty of laying improper blame on this
imaginary being, they are altogether as apt to make her amends by
ascribing to her honours which she as little deserves. To retrieve the
ill consequences of a foolish conduct, and by struggling manfully with
distress to subdue it, is one of the noblest efforts of wisdom and
virtue. Whoever, therefore, calls such a man fortunate, is guilty of no
less impropriety in speech than he would be who should call the statuary
or the poet fortunate who carved a Venus or who writ an Iliad.
Life may as properly be called an art as any other; and the great
incidents in it are no more to be considered as mere accidents than the
several members of a fine statue or a noble poem. The critics in all
these are not content with seeing anything to be great without knowing
why and how it came to be so. By examining carefully the several
gradations which conduce to bring every model to perfection, we learn
truly to know that science in which the model is formed: as histories of
this kind, therefore, may properly be called models of _human life_,
so, by observing minutely the several incidents which tend to the
catastrophe or completion of the whole, and the minute causes whence
those incidents are produced, we shall best be instructed in this most
useful of all arts, which I call the _art_ of _life_.
Chapter ii
_The history sets out. Observations on the excellency of the English
constitution and curious examinations before a justice of peace._
Public-domain text, read in full here on John Shaqi.
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