Didactic fiction; Domestic fiction; England -- Fiction; Married women -- Fiction
Our poor gentleman turned pale with horror at this speech, and the
ejaculation of "Good heavens! what do I hear?" burst spontaneously
from his lips; nor can we wonder at this, though he was the bravest of
men; for her voice, her looks, her gestures, were properly adapted to
the sentiments she exprest. Such indeed was her image, that neither
could Shakspear describe, nor Hogarth paint, nor Clive act, a fury in
higher perfection.
[Illustration: She then gave a loose to her passions]
"What do you hear?" reiterated she. "You hear the resentment of the
most injured of women. You have heard, you say, of the murder; but do
you know the cause, Mr. Booth? Have you since your return to England
visited that country where we formerly knew one another? tell me, do
you know my wretched story? tell me that, my friend."
Booth hesitated for an answer; indeed, he had heard some imperfect
stories, not much to her advantage. She waited not till he had formed
a speech; but cried, "Whatever you may have heard, you cannot be
acquainted with all the strange accidents which have occasioned your
seeing me in a place which at our last parting was so unlikely that I
should ever have been found in; nor can you know the cause of all that
I have uttered, and which, I am convinced, you never expected to have
heard from my mouth. If these circumstances raise your curiosity, I
will satisfy it."
He answered, that curiosity was too mean a word to express his ardent
desire of knowing her story. Upon which, with very little previous
ceremony, she began to relate what is written in the following
chapter.
But before we put an end to this it may be necessary to whisper a word
or two to the critics, who have, perhaps, begun to express no less
astonishment than Mr. Booth, that a lady in whom we had remarked a
most extraordinary power of displaying softness should, the very next
moment after the words were out of her mouth, express sentiments
becoming the lips of a Dalila, Jezebel, Medea, Semiramis, Parysatis,
Tanaquil, Livilla, Messalina, Agrippina, Brunichilde, Elfrida, Lady
Macbeth, Joan of Naples, Christina of Sweden, Katharine Hays, Sarah
Malcolm, Con Philips,[Footnote: Though last not least.] or any other
heroine of the tender sex, which history, sacred or profane, ancient
or modern, false or true, hath recorded.
We desire such critics to remember that it is the same English
climate, in which, on the lovely 10th of June, under a serene sky, the
amorous Jacobite, kissing the odoriferous zephyr's breath, gathers a
nosegay of white roses to deck the whiter breast of Celia; and in
which, on the 11th of June, the very next day, the boisterous Boreas,
roused by the hollow thunder, rushes horrible through the air, and,
driving the wet tempest before him, levels the hope of the husbandman
with the earth, dreadful remembrance of the consequences of the
Revolution.
Public-domain text, read in full here on John Shaqi.
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