Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
A considerable portion of this medley wholly relates to the municipal
interests of the citizens of London--charters and grants, with a vast
variety of forms or models of public and private instruments, chiefly of
a commercial description. Parish ordinances mix with Acts of Parliament;
and when we have conned the oath of the beadle of the ward, we are
startled by Pope Nicholas' Bull. We have the craft of grafting trees and
altering of fruits, as well in colour as in taste, close to an oration
of the messenger of "the Soudan of Babylon" to the Pope in 1488. Indeed,
we have many more useful crafts, besides the altering of the flavour of
fruits, and the oration of the Mahometan to the representative of St.
Peter; for here are culinary receipts, to keep sturgeon, to make vinegar
"shortly," "percely to grow in an hour's space," and to make ypocras,
straining the wine through a bag of spices--it was nothing more than our
mulled wine; and further, are receipts to make ink, and compound
gunpowder, to make soap, and to brew beer. Whether we may derive any
fresh hints from our ancestor of the year 1500 exceeds my judgment; but
to this eager transcriber posterity owes one of the most passionate
poems in our language; for betwixt "the composition between the
merchants of England and the town of Antwerp," and "the reckoning to buy
wares in Flanders," first broke into light "A Ballade of the Notbrowne
Mayde." Thus, when an indiscriminating collector is at work, one cannot
foresee what good fortune may not chance to be his lot.
Warton has truly characterised this work as "the most heterogeneous and
multifarious miscellany that ever existed;" but he seems to me to have
mistaken both the design of the collector, and the nature of the
collection. Some supposed that the collector, Richard Arnolde, intended
the volume to be an antiquarian repertory; but as the materials were
recent, that idea cannot be admitted; and Warton censures the compiler,
who, to make up a volume, printed together whatever he could amass of
notices and papers of every sort and subject. The modern editor of
"Arnolde's Chronicle" was perplexed at the contents of what he calls "a
strange book."
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