Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
It is amusing to observe the perplexities of an eminent French critic,
Monsieur Guizot, in his endeavour to decide on the "Stultifera Navis." A
critic of his school could not rightly comprehend how it happened that
so dull a book had been a popular one, multiplied by editions in all the
languages of Europe. "It is," says M. Guizot, "a collection of
extravagant or of gross _plaisanteries_--which may have been poignant at
their time, but which at this day have no other merit than that of
having had great success three hundred years ago." The salt of
plaisanteries cannot be damped by three centuries, provided they were
such; but our author is by no means facetious: he is much too downright;
the tone is invariably condemnatory or exhortative; and the Proverbs,
the Psalms, and Jeremiah, are more frequently appealed to than Cicero,
Horace, and Ovid, who occasionally show their heads in his margin.
We must look somewhat deeper would we learn why a book which now tries
our patience was not undeserving of those multiplied editions which have
ascertained its popularity.
At the period when this volume appeared, we in the north were far
removed from the urbanity and the elevated ethics of lettered Italy.
Brandt took this general view of society at the time when the
illustrious Castiglione was an ambassador to our Henry the Seventh, and
was meditating to model the manners of his countrymen by his _Libro
dell' Cortigiano_; and La Casa, by his _Galateo_, was founding a code of
minute politeness. But neither France, nor Germany, nor England, had yet
greatly advanced in the civil intercourse of life, and could not
appreciate such exility of elegance, and such sublimated refinement.
With us, the staple of our moral philosophy was of a homespun but firm
texture, and had in it more of yarn than of silk. Men had little to
read; they were not weary of that eternal iteration of admonition on
whatever was most painful or most despicable in their conduct; their
ideas were uncertain, and their minds remained to be developed; nothing
was trite or trivial. In his wide survey of human life, the author
addressed the mundane fools of his age in the manner level to their
comprehension; the ethical character of the volume was such, that the
Abbot Trithemus designated it as a divine book; and in this volume,
which read like a homily, while every man beheld the reflection of his
own habits and thoughts, he chuckled over the sayings and doings of his
neighbours. If any one quipped the profession of another, the sufferer
had only to turn the leaf to find ample revenge; and these were the
causes of the uninterrupted popularity of this ethical work.
"The Ship of Fools" is, indeed, cumbrous, rude, and inartificial, and
was not constructed on the principles which regulate our fast-sailing
vessels; yet it may be prized for something more than its curiosity. It
is an ancient satire, of that age of simplicity which must precede an
age of refinement.
Public-domain text, read in full here on John Shaqi.
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