Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
Their mode of representation was so much alike,
that the same sort of ludicrous accidents have come down to us relative
to our native mysteries, as occurred in those of France. Bishop Percy
has quoted a malicious trick played by the Flemish Owl-glass, the
buffoon of the times, among his neighbours in one of these
mysteries;[12] a Judas had nearly hanged himself, and the cross had
nearly realised a crucifixion. Among these unlucky attempts they gilded
over the face to represent the Eternal Father; the honest burgher,
nearly suffocated, never appeared again; and the next day it was
announced that for the future the Deity should lie "covered by a cloud."
A scaffold was built up of three or more divisions for "the stage-play:"
Paradise opened at the top, the world moved in the centre, and the
yawning throat of an immeasurable dragon, as the devils run in and out,
showed the bottomless pit; and whenever the protruding wings of that
infernal monster approached, "and fanned" the near spectators, the
terror was real.
These mysteries abound with a licentiousness to which the rude
simplicity of the age was innocently insensible; a ludicrous turn is
often given to the solemn incidents of holy writ; and the legend of a
saint opened an unbounded scope to their mother-wit. The usual remark of
the people when they had been pleased with a performance was, "To-day
the mystery was very fine and devout; and the devils played most
pleasantly."[13] The devils were the buffoons, and compliment one
another with the most atrocious titles. The spectators, who shed tears
at the torturous crucifixion, would listen with delight to the volume of
reciprocal abuse voided by Satan and the Satanic, whose very names, at
any other time or place, would have paralysed the intellect. This
strange mixture of religious and ludicrous emotions attests that the
authors and the spectators were in the childhood of society, satisfied
that they were good Christians. Such were the earliest attempts of our
dramatic representations; but men must tread with naked feet before they
put on the sock and buskin.
Public-domain text, read in full here on John Shaqi.
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