Upon this pious person his cousin of Annapolis looked with something not unlike contempt; for the latter, though he too was a scholar, possessed the sort of scholarliness which takes into account beauty and the lore of cosmopolitanism. He may have been religious or he may not have been, but if religious he demanded something handsome, something stylish, in his religion, as he did also in his residence, in his wife, his sons, his daughters, his horses, coaches, dinners, wines, and slaves. He did things with a flourish, and was not beset by a perpetual consciousness and fear of hell. He approved of pretty women; he made love to them; he married them; he was the father of them. His pretty daughters married men who also admired pretty women, and became the mothers of other pretty women, who became, in turn, the mothers and grandmothers of the pretty women of the South to-day. Your old-time Annapolis gentleman's ideas of a republic were far indeed from those now current, for he understood perfectly the difference between a republic and a democracy--a difference which is not now so well understood. He believed that the people should elect the heads of the government, but he also believed that these heads should be elected from his own class, and that, having voted, the people should go about their business, trusting their betters to run the country as it should be run. This, at least, is my picture of the old aristocrats of Maryland, Virginia, and South Carolina, as conveyed to me by what I have seen of their houses and possessions and what I have read of their mode of life. They were the early princes of the Republic and by all odds its most picturesque figures. * * * * * Very different from the spirit of appreciation and emulation shown by the trustees of Johns Hopkins University with regard to the old house, Homewood, in Baltimore, is that manifested in the architecture of the Naval Academy at Annapolis, where, in a city fairly flooded with examples of buildings, both beautiful and typically American, architectural hints were ignored, and there were erected great stone structures whose chief characteristics are size, solidity, and the look of being "government property." The main buildings of the Academy, with the exception of the chapel, suggest the sort of sublimated penitentiary that Mr. Thomas Mott Osborne might, one fancies, construct under a carte-blanche authorization, while the chapel, the huge dome of which is visible to all the country round, makes one think of a monstrous wedding cake fashioned in the form of a building and covered with white and yellow frosting in ornamental patterns.