I am talking to the motorist who is not ossified in habit, who has a love of strangeness and the picturesque--not only in scenery but in houses and people and the kind of life those people lead. For it is quite true that, as Professor Roland C. Usher said in his "Pan Americanism," "the information in New York about Buenos Aires is more extended, accurate, and contemporaneous than the notions in Maine about Alabama.... Isolation is more a matter of time than of space, and common interests are due to the ease of transportation and communication more often than geographical location." CHAPTER X HARPER'S FERRY AND JOHN BROWN Mad Old Brown, Osawatomie Brown, With his eighteen other crazy men, went in and took the town. --EDMUND CLARENCE STEDMAN. Three States meet at Harper's Ferry, and the line dividing two of them is indicated where it crosses the station platform. If you alight at the rear end of the train, you are in Maryland; at the front, you are in West Virginia. This I like. I have always liked important but invisible boundaries--boundaries of states or, better yet, of countries. When I cross them I am disposed to step high, as though not to trip upon them, and then to pause with one foot in one land and one in another, trying to imagine that I feel the division running through my body. Harper's Ferry is an entrancing old town; a drowsy place, piled up beautifully, yet carelessly, upon terraced roads clinging to steep hills, which slope on one side to the Potomac, on the other to the Shenandoah, and come to a point, like the prow of a great ship, at the confluence of the two. There is something foreign in the appearance of the place. Many times, as I looked at old stone houses, a story or two high on one side, three or four stories on the other, seeming to set their claws into the cliffs and cling there for dear life, I thought of houses in Capri and Amalfi, and in some towns in France; and again there were low cottages built of blocks of shale covered with a thin veneer of white plaster showing the outlines of the stones beneath, which, squatting down amid their trees and flowers, resembled peasant cottages in Normandy or Brittany, or in Ireland.