American Book-Plates: A Guide to Their Study with ExamplesAllen, Charles Dexter
History
American Book-Plates: A Guide to Their Study with Examples
Allen, Charles Dexter
Bookplates -- Bibliography; Bookplates, American
mantling is less striking than in the _Dudley_, but it surrounds the
shield well, and curves upward about the crest. In the _Minot_ plate,
which is very peculiar and rather difficult to classify, the mantling is
very unworthy of the name; it does not proceed from the helmet, nor
indeed from anywhere in particular, but in wild and very eccentric
fashion, envelops the crest and most of the shield; the field of the
shield is tinctured _azure_, and it is enclosed within a border or
moulding which nearly surrounds it, but leaves a portion at the base
unprotected; a further peculiarity of this moulding is that it is an
integral part of the helmet, for it curves over at the top of the shield
and actually proceeds from the helmet.
A very fine example of this style is the _Francis Page_ plate.
The next style is the Jacobean, commonly spoken of as existing from
about 1700 to about 1745; the styles overlap naturally, and no
hard-and-fast period can be established within which only one particular
style of plate was used. Examples of the Jacobean plate are found in
England which would date later than 1745, and the style which succeeded
this was used somewhat before the year which begins its accepted period:
the dates of the periods, then, are approximate. The names by which the
different styles are known have all a good reason for their acceptance,
although each one was suggested by differing circumstances.
The style of book-plate in vogue at the time of the last James is
designated as Jacobean; and, while it continued in use long after the
death of the deposed monarch who gave it its name, any change in its
designation would be misleading. The principal features of this style
are its heavy, carved appearance, the evenly balanced proportions, and
the exact coincidence of the two sides of the design. The shield, always
of regular outline, is usually placed upon an ornamental frame whose
background, or lining, is either filled in
[Illustration: _FREDERIK·PHILIPSE ESQ^{r}._]
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