American Book-Plates: A Guide to Their Study with Examples — John Shaqi
American Book-Plates: A Guide to Their Study with ExamplesAllen, Charles Dexter
History
American Book-Plates: A Guide to Their Study with Examples
Allen, Charles Dexter
Bookplates -- Bibliography; Bookplates, American
In the plates of the _Society Library_ allegory is rampant. Minerva
appears in all of them, and in the two by Maverick is the principal
figure. In both of these she appears to an American Indian, whose
attitude shows his deep appreciation of the benefits of education as
offered by the resplendent goddess. In one case she is represented as
having just arrived from Olympus, and is still encircled by clouds; in
the other, she seems quite at home in the alcove of the library, and has
taken a suitable volume from the shelf for the use of the savage. In the
plate by Gallaudet for this library the allegory is extended, and other
prominent inhabitants of the abode of the celestials are present. The
arts and sciences which the books of the library treat of are
represented by implements and symbols easily recognized.
The plate of the _Monthly Library in Farmington_ also uses allegory. The
designer and engraver of this plate was Martin Bull, an old deacon in
the village, who was quite an interesting man. He was a goldsmith, a
maker of silver buttons, and spoons; a manufacturer of saltpetre when
needed by the army, a conductor of church music, town treasurer for
eight years, clerk of probate for thirty-nine years, a strong patriot,
and a writer of long and appallingly solemn letters to the youth of the
village when
[Illustration:
_Monthly Library_
IN FARMINGTON
]
at college. The library was founded in 1795,--about as soon as our
soldier-citizens could settle down into reading stay-at-homes,--and was
conducted upon the plan of monthly exchanges. On the first Sabbath of
the month all members would assemble in the evening and pass in their
books and receive others, the choice being auctioned off. Two dollars
and a half a month was thus realized, and the meeting was the event of
the month to the sturdy inhabitants of the quiet town, to say nothing of
the younger folk, to whom it must have afforded coveted opportunities
for pleasant meetings, and quiet walks along the lanes. On the first day
of the new century, January, 1801, the library changed its name to that
which appears upon the book-plate, and on which the good deacon
exhibited a specimen of his highest art. Previously to this date it had
gone under the name of “The Library in the First Society in Farmington,”
and its first book-plate, probably engraved by the good deacon, had the
simple name with no pictorial accessories.
Contemporaneously with this, another library called the _Village
Library_, was in operation, and continued until 1826, when it was merged
with a third. This library also had a book-plate, but it was undoubtedly
beyond the powers of the engraver of its forerunners. In this we see the
interior of a room, in which a young lady patron of the library is
storing her mind with those choice axioms which, if put in practice, far
exceed the attractiveness of mere personal beauty; so says the couplet
beneath the picture.
[Illustration: VILLAGE LIBRARY.]
Public-domain text, read in full here on John Shaqi.
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