Later developments of this style are seen in the plates of _Henry Marchant_, _Danforth_, _Nathaniel Tracy_, and _John Marston_; in these some of the features of the former are wanting, but they are evidently a legitimate progeny in the matter of style. [Illustration: John Chandler Jun^{r}. Esq^{r}.] Another, and without doubt the highest type of the Chippendale plate which Hurd made, is seen in the _John Chandler, Jr._, the _Dana_, the _Philip Dumeresque_, the _Vassall_, and the _Wilson_ plates. In these the shield becomes larger, the whole scheme of decoration shows more fine detail work, and the effect is lighter, more graceful, and seems at once the work of a master. The names are engraved in large bold type, with a characteristic dash after the last period. [Illustration: Lew.^{s.} De Blois] In the Jacobean style, the earliest of Hurd’s work is undoubtedly the _Lewis De Blois_. This is crude in workmanship, not very good in drawing, but excellent in design, and faithful to the characteristics of the style; the shield is placed against a frame which is lined with the regulation fish-scale pattern; the sides are richly foliated, the mantling is profuse and very well drawn, and the name is placed upon a fringed curtain which is tied up at the ends with ribbon. [Illustration: Joshua Spooner.] The handsomest Jacobean plates by Hurd are the _Robert Jenkins_, the _Spooner_, and the _Andrew_ Tyler. In the former the lining is diapered, the scroll work at the side of the arms is very fine, and at the bottom, under the shield, a small vignette of a ship under full sail is very pretty. At the top of the scrolls on either side two turbanded female heads peer at each other across the crest. In the _Tyler_ plate the frame is very similar to the Jenkins, the lining is diapered, and the scroll at the side are the same. The little vignette at the bottom, however, is displaced by a sour face with gray hair. The two faces are replaced by urns filled with flowers, and the old cloth festoon is draped below the whole design. The _Spooner_ plate bears no resemblance to the others, and is a more graceful design. The lining is latticed, the Sphinx head under the shield is enclosed within a frame of its own, and at either side are term figures from whose hands depend bouquets of flowers; the crest is overarched with a bit of the old scallop shell, and the motto is on a ribbon, which, wholly unsupported, maintains a curved position under the frame. The Jacobean plates of _Benjamin Greene_ and _Peter R. Livingston_ are almost identical in design; the small frame which encloses the shield is lined with the fish-scale pattern, the mantling is handsome and profuse, and the motto ribbon is stretched in rather stiff manner below the frame.