American Book-Plates: A Guide to Their Study with Examples — John Shaqi
American Book-Plates: A Guide to Their Study with ExamplesAllen, Charles Dexter
History
American Book-Plates: A Guide to Their Study with Examples
Allen, Charles Dexter
Bookplates -- Bibliography; Bookplates, American
JOSEPH CALLENDER was born in Boston, May 6, 1751. Very little is known
about him, but he is reported to have acquired the plates of Peter
Pelham, who was presumably the first to engrave on copper in America,
and to have destroyed them. Callender made most of the dies for the
second Massachusetts Mint, at a cost of £1 4_s._ each. This was
considered an exorbitant price by the superintendent, who made a
contract with a Newburyport artisan, Jacob Perkins. Callender received
£48 12_s._ for making thirty-nine dies, and repairing three others,
while Perkins received but £3 18_s._ 10_d._ for his work. Callender died
in Boston, Nov. 10, 1821, and was buried in the Granary Burying Ground.
The only Chippendale plate by Callender is a copy of the _Atkinson_
plate by Hurd, and is for a member of the same family. As compared with
its model, this plate shows very little difference, it is so close a
copy, but the motto ribbon which is added is more graceful than those of
Hurd usually were, the heraldic drawing is quite as good, and the
lettering of the name is better. Callender, of course, would not have
begun to engrave much before Hurd’s death; indeed, the preponderance of
the Ribbon and Wreath style in his designs goes to show that his work
dated towards the close of the century.
His plates in this style are very light and graceful, with no
overloading; and a faithful use of the usual features of the style is
apparent.
In the _Russell_ plate he was again a copyist, using for his model the
_Joseph Barrell_ plate. The plates for the _American Academy of Arts and
Sciences_, and for the _Massachusetts Medical Society_ are practically
alike; the curtain, and the
[Illustration: Thomas Russell]
ribbon and festooning are very similar, while the view within the oval
frame is, of course, adapted to the use of the books of the respective
societies. Callender would seem by these signs to have been a lazy
engraver, or to have considered his designs so perfect as to call for no
further effort.
A LIST OF BOOK-PLATES SIGNED BY CALLENDER.
Public-domain text, read in full here on John Shaqi.
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