American Book-Plates: A Guide to Their Study with ExamplesAllen, Charles Dexter
History
American Book-Plates: A Guide to Their Study with Examples
Allen, Charles Dexter
Bookplates -- Bibliography; Bookplates, American
is not in either of the characteristic modes of Hurd. It is an ambitious
plate, and was meant to be very fine, evidently. It is full of
flourishes, and the little spiral flourish at the lower right-hand side
is wholly out of place; the robin picking rose leaves at the side is an
innovation. The scrolls under the name are somewhat in the manner of
Hurd. The heraldic drawing is poor, and the bunch of arrows between the
shield and the crest must be in allusion to the occupation of the owner,
who was a missionary to the Indians.
[Illustration: John Chambers Esq^{r}.]
There is said to be a plate by Furnass owned in Boston, by the name of
_Foster_, but no definite knowledge of it has been obtained.
* * * * *
E. GALLAUDET, who signed the plate for the _New York Society Library_
and the plate of _John Chambers_, was one Elisha Gallaudet, who
practised his art in New York City towards the end of the last century.
EDWARD GALLAUDET, a relative of the above, was superior to him as an
engraver, and the _Gallaudet_ plate mentioned in the List is by him. He
was of the present century.
* * * * *
ABRAHAM GODWIN was born in New Jersey in 1763. He was intended for the
profession of the law, and was placed in the office of his brother, at
Fishkill, in New York state. Both men joined the army, however; and when
Abraham returned to his home, it was to take up the art of engraving,
towards which he had had an inclination from boyhood, when he made his
first attempts on the silver plate of his friends, with a graver made by
a blacksmith.
The only example of his book-plate work is a plate fully described under
the heading, “Unidentified,” in the List. Most unfortunately, the only
example known has the family name torn out. The first name is _John_.
The plate is rather rudely engraved, but is quite ambitious, showing the
interior of a large room, which might be either a school-room or a
library.
* * * * *
S. HARRIS, who engraved the pictorial plates of _Henry Andrews_ and the
anonymous _Williams_, was a New England engraver, who was in Boston
about 1798.
CHARLES P. HARRISON, who signed the plain armorial book-plates of
_William Betts_ and _David Paul Brown_, was a son of William Harrison,
an English engraver, who came to New York in 1794, and was for a time an
instructor of Peter Maverick the second.
* * * * *
SAMUEL HILL was a copper-plate engraver in Boston, about 1790, and his
work consisted mostly of portraits and book work.
The following are examples of his work:--
Willm. P. & L. Blake’s
Circulating Library
at the Boston Book Store Ornamented label.
Charles Pierpont Ribbon and Wreath.
William Winthrop Ribbon and Wreath.
Also the plate of _Saml. Hill_, which is of a literary flavor, is
probably the engraver’s own plate.
* * * * *
Public-domain text, read in full here on John Shaqi.
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