American Hero-Myths: A Study in the Native Religions of the Western ContinentBrinton, Daniel G. (Daniel Garrison)
Religion
American Hero-Myths: A Study in the Native Religions of the Western Continent
Brinton, Daniel G. (Daniel Garrison)
Indian mythology; Indians -- Religion
Probably the association of ideas was not with the flint as a fire-stone,
though the fact that a piece of flint struck with a nodule of pyrites will
emit a spark was not unknown. But the flint was everywhere employed for
arrow and lance heads. The flashes of light, the lightning, anything that
darted swiftly and struck violently, was compared to the hurtling arrow or
the whizzing lance. Especially did this apply to the phenomenon of the
lightning. The belief that a stone is shot from the sky with each
thunderclap is shown in our word "thunderbolt," and even yet the vulgar in
many countries point out certain forms of stones as derived from this
source. As the refreshing rain which accompanies the thunder gust instills
new life into vegetation, and covers the ground parched by summer droughts
with leaves and grass, so the statement in the myth that the fragments of
the flint-stone grew into fruitful vines is an obvious figure of speech
which at first expressed the fertilizing effects of the summer showers.
In this myth Michabo, the Light-God, was represented to the native mind as
still fighting with the powers of Darkness, not now the darkness of night,
but that of the heavy and gloomy clouds which roll up the sky and blind
the eye of day. His weapons are the lightning and the thunderbolt, and the
victory he achieves is turned to the good of the world he has created.
This is still more clearly set forth in an Ojibway myth. It relates that
in early days there was a mighty serpent, king of all serpents, whose home
was in the Great Lakes. Increasing the waters by his magic powers, he
began to flood the land, and threatened its total submergence. Then
Michabo rose from his couch at the sun-rising, attacked the huge reptile
and slew it by a cast of his dart. He stripped it of its skin, and
clothing himself in this trophy of conquest, drove all the other serpents
to the south.[1] As it is in the south that, in the country of the
Ojibways, the lightning is last seen in the autumn, and as the Algonkins,
both in their language and pictography, were accustomed to assimilate the
lightning in its zigzag course to the sinuous motion of the serpent,[2]
the meteorological character of this myth is very manifest.
[Footnote 1: H.R. Schoolcraft, _Algic Researches_, Vol. i, p. 179, Vol.
ii, p. 117. The word _animikig_ in Ojibway means "it thunders and
lightnings;" in their myths this tribe says that the West Wind is created
by Animiki, the Thunder. (Ibid. _Indian Tribes_, Vol. v, p. 420.)]
[Footnote 2: When Father Buteux was among the Algonkins, in 1637, they
explained to him the lightning as "a great serpent which the Manito vomits
up." (_Relation de la Nouvelle France_, An. 1637, p. 53.) According to
John Tanner, the symbol for the lightning in Ojibway pictography was a
rattlesnake. (_Narrative_, p. 351.)]
Public-domain text, read in full here on John Shaqi.
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