American Hero-Myths: A Study in the Native Religions of the Western Continent — John Shaqi
American Hero-Myths: A Study in the Native Religions of the Western ContinentBrinton, Daniel G. (Daniel Garrison)
Religion
American Hero-Myths: A Study in the Native Religions of the Western Continent
Brinton, Daniel G. (Daniel Garrison)
Indian mythology; Indians -- Religion
[Footnote 1: _Moyocoyatzin_, is the third person singular of _yocoya_, to
do, to make, with the reverential termination _tzin_. Sahagun says this
title was given him because he could do what he pleased, on earth or in
heaven, and no one could prevent him. (Historia de Nueva España, Lib. III.
cap. II.) It seems to me that it would rather refer to his demiurgic,
creative power.]
[Footnote 2: All these titles are to be found in Sahagun, _Historia de
Nueva España_.]
He was said to be formed of thin air and darkness; and when he was seen of
men it was as a shadow without substance. He alone of all the gods defied
the assaults of time, was ever young and strong, and grew not old with
years.[1] Against such an enemy who could hope for victory?
[Footnote 1: The description of Clavigero is worth quoting: "TEZCATLIPOCA:
Questo era il maggior Dio, che in que paesi si adorava, dopo il Dio
invisible, o Supremo Essere. Era il Dio della Providenza, l' anima del
Mondo, il Creator del Cielo e della Terra, ed il Signor di tutle le cose.
Rappresentavanlo tuttora giovane per significare, che non s' invecchiava
mai, nè s' indeboliva cogli anni." _Storia Antica di Messico_, Lib. vi, p.
7.]
The name "Tezcatlipoca" is one of odd significance. It means The Smoking
Mirror. This strange metaphor has received various explanations. The
mirrors in use among the Aztecs were polished plates of obsidian, trimmed
to a circular form. There was a variety of this black stone called
_tezcapoctli_, smoky mirror stone, and from this his images were at times
made.[1] This, however, seems too trivial an explanation.
[Footnote 1: Sahagun, _Historia_, Lib. ii, cap. xxxvii.]
Others have contended that Tezcatlipoca, as undoubtedly the spirit of
darkness and the night, refers, in its meaning, to the moon, which hangs
like a bright round mirror in the sky, though partly dulled by what the
natives thought a smoke.[1]
[Footnote 1: _Anales del Museo Nacional_, Tom. ii, p. 257.]
I am inclined to believe, however, that the mirror referred to is that
first and most familiar of all, the surface of water: and that the smoke
is the mist which at night rises from lake and river, as actual smoke does
in the still air.
As presiding over the darkness and the night, dreams and the phantoms of
the gloom were supposed to be sent by Tezcatlipoca, and to him were sacred
those animals which prowl about at night, as the skunk and the coyote.[1]
[Footnote 1: Sahagun, _Historia_. Lib. vi, caps. ix, xi, xii.]
Thus his names, his various attributes, his sacred animals and his myths
unite in identifying this deity as a primitive personification of the
Darkness, whether that of the storm or of the night.[1]
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