Yankton Indians -- Government relations; Yankton Indians -- Social conditions; Yankton women -- Biography; Zitkala-Sa, 1876-1938
In the afternoon shadow of a large tepee, with red-painted smoke lapels,
sat a warrior father with crossed shins. His head was so poised that his
eye swept easily the vast level land to the eastern horizon line.
He was the chieftain's bravest warrior. He had won by heroic deeds the
privilege of staking his wigwam within the great circle of tepees.
He was also one of the most generous gift givers to the toothless old
people. For this he was entitled to the red-painted smoke lapels on his
cone-shaped dwelling. He was proud of his honors. He never wearied of
rehearsing nightly his own brave deeds. Though by wigwam fires he prated
much of his high rank and widespread fame, his great joy was a wee
black-eyed daughter of eight sturdy winters. Thus as he sat upon the
soft grass, with his wife at his side, bent over her bead work, he was
singing a dance song, and beat lightly the rhythm with his slender
hands.
His shrewd eyes softened with pleasure as he watched the easy movements
of the small body dancing on the green before him.
Tusee is taking her first dancing lesson. Her tightly-braided hair
curves over both brown ears like a pair of crooked little horns which
glisten in the summer sun.
With her snugly moccasined feet close together, and a wee hand at her
belt to stay the long string of beads which hang from her bare neck, she
bends her knees gently to the rhythm of her father's voice.
Now she ventures upon the earnest movement, slightly upward and
sidewise, in a circle. At length the song drops into a closing cadence,
and the little woman, clad in beaded deerskin, sits down beside the
elder one. Like her mother, she sits upon her feet. In a brief moment
the warrior repeats the last refrain. Again Tusee springs to her feet
and dances to the swing of the few final measures.
Just as the dance was finished, an elderly man, with short, thick hair
loose about his square shoulders, rode into their presence from the
rear, and leaped lightly from his pony's back. Dropping the rawhide rein
to the ground, he tossed himself lazily on the grass. "Hunhe, you have
returned soon," said the warrior, while extending a hand to his little
daughter.
Quickly the child ran to her father's side and cuddled close to him,
while he tenderly placed a strong arm about her. Both father and child,
eyeing the figure on the grass, waited to hear the man's report.
"It is true," began the man, with a stranger's accent. "This is the
night of the dance."
"Hunha!" muttered the warrior with some surprise.
Propping himself upon his elbows, the man raised his face. His features
were of the Southern type. From an enemy's camp he was taken captive
long years ago by Tusee's father. But the unusual qualities of the slave
had won the Sioux warrior's heart, and for the last three winters the
man had had his freedom. He was made real man again. His hair was
allowed to grow. However, he himself had chosen to stay in the warrior's
family.
Public-domain text, read in full here on John Shaqi.
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