Yankton Indians -- Government relations; Yankton Indians -- Social conditions; Yankton women -- Biography; Zitkala-Sa, 1876-1938
In silence each woman, with long strides, hurries to and fro, tying
large bundles on her pony's back. Under cover of night the war party
must hasten homeward. Motionless, with bowed head, sits a woman in her
hiding-place. She grieves for her lover.
In bitterness of spirit she hears the warriors' murmuring words. With
set teeth she plans to cheat the hated enemy of their captive. In the
meanwhile low signals are given, and the war party, unaware of Tusee's
absence, steal quietly away. The soft thud of pony-hoofs grows fainter
and fainter. The gradual hush of the empty ravine whirrs noisily in the
ear of the young woman. Alert for any sound of footfalls nigh, she holds
her breath to listen. Her right hand rests on a long knife in her belt.
Ah, yes, she knows where her pony is hid, but not yet has she need of
him. Satisfied that no danger is nigh, she prowls forth from her place
of hiding. With a panther's tread and pace she climbs the high ridge
beyond the low ravine. From thence she spies the enemy's camp-fires.
Rooted to the barren bluff the slender woman's figure stands on the
pinnacle of night, outlined against a starry sky. The cool night breeze
wafts to her burning ear snatches of song and drum. With desperate hate
she bites her teeth.
Tusee beckons the stars to witness. With impassioned voice and uplifted
face she pleads:
"Great Spirit, speed me to my lover's rescue! Give me swift cunning for
a weapon this night! All-powerful Spirit, grant me my warrior-father's
heart, strong to slay a foe and mighty to save a friend!"
In the midst of the enemy's camp-ground, underneath a temporary
dance-house, are men and women in gala-day dress. It is late in the
night, but the merry warriors bend and bow their nude, painted bodies
before a bright center fire. To the lusty men's voices and the rhythmic
throbbing drum, they leap and rebound with feathered headgears waving.
Women with red-painted cheeks and long, braided hair sit in a large
half-circle against the willow railing. They, too, join in the singing,
and rise to dance with their victorious warriors.
Amid this circular dance arena stands a prisoner bound to a post,
haggard with shame and sorrow. He hangs his disheveled head.
He stares with unseeing eyes upon the bare earth at his feet. With jeers
and smirking faces the dancers mock the Dakota captive. Rowdy braves and
small boys hoot and yell in derision.
Silent among the noisy mob, a tall woman, leaning both elbows on the
round willow railing, peers into the lighted arena. The dancing center
fire shines bright into her handsome face, intensifying the night in her
dark eyes. It breaks into myriad points upon her beaded dress. Unmindful
of the surging throng jostling her at either side, she glares in upon
the hateful, scoffing men. Suddenly she turns her head. Tittering maids
whisper near her ear:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account