Now why is it that everyone likes to read these make-believe biographies? Because we are all interested in what other people are doing and thinking, and because a good story tells in an entertaining way about life-like people, into whom the story-teller has breathed something of his own personality. Then how does it come that so few of us care to read the biographies of real people, which ought to be all the more interesting because they are true instead of make-believe? Well, in the first place, because most of us have never tried to read biography in the right way, and so think it tiresome and uninteresting. Haven't you, more than once, made up your mind that you wouldn't like a thing, just from the look of it, without ever having tasted it? You know the old proverb, "One man's food is another man's poison." It isn't a true proverb--indeed, few proverbs are true--because we are all built alike, and no man's food will poison any other man; although the other man may think so, and may really show all the symptoms of poisoning, just because he has made up his mind to. Most of you approach biography in that way. You look through the book, and you see it isn't divided up into dialogue, as a story is, and there are no illustrations, only pictures of crabbed-looking people, and so you decide that you are not going to like it, and consequently you don't like it, no matter how likeable it is. It isn't wholly your fault that you have acquired this feeling. Strangely enough, most biographies give no such impression of reality as good fiction does. John Ridd, for instance, is more alive for most of us than Thomas Jefferson--the one is a flesh-and-blood personality, while the other is merely a name. This is because the average biographer apparently does not comprehend that his first duty is to make his subject seem alive, or lacks the art to do it; and so produces merely a lay-figure, draped with the clothing of the period. And usually he misses the point and fails miserably because he concerns himself with the mere doing of deeds, and not with that greatest of all things, the development of character. All great biographies are written with insight and imagination, as well as with truth; that is, the biographer tries, in the first place, to find out not only what his subject did, but what he thought; he tries to realize him thoroughly, and then, reconstructing the scenes through which he moved, interprets him for us. He endeavors to give us the rounded impression of a human being--of a man who really walked and talked and loved and hated--so that we may feel that we knew him. But most biographies are seemingly written about statues on pedestals, and not good statues at that.