He was lacking, too, in intellectual equipment--in culture, in mastery
of rhythm and diction, in felicitous phrasing. And yet, on at least two
occasions, he rang sublimely true--in his denunciation of Webster,
"Ichabod," and in his idyll of New England rural life, "Snow-Bound."
The third of these New England poets, and also the least important, is
Oliver Wendell Holmes. Born at Cambridge, in the inner circle of New
England aristocracy, educated at Harvard, and studying medicine in
Boston and Paris, he practiced his profession for twelve years, until,
in 1847, he was called to the chair of anatomy and physiology at
Harvard, continuing in that position until 1882. He lived until 1894,
the last survivor of the seven poets whom we have mentioned.
During his student days, Holmes had gained considerable reputation as a
writer of humorous and sentimental society verse, and during his whole
life he wrote practically no other kind. Long practice gave him an easy
command of rhythm, and a careful training added delicacy to his diction.
He became remarkably dexterous in rhyme, and grew to be the recognized
celebrant of class reunions and public dinners. Urbane, felicitous and
possessing an unflagging humor, he was the prince of after-dinner
poets--not a lofty position, be it observed, nor one making for immortal
fame. His highwater mark was reached in three poems, "The Chambered
Nautilus," "The Deacon's Masterpiece," and that faultless piece of
familiar verse, "The Last Leaf," all of which are widely and
affectionately known. He lacked power and depth of imagination, the
field in which he was really at home was a narrow one, and the verdict
of time will probably be that he was a pleasant versifier rather than a
true poet.
His claim to the attention of posterity is likely to rest, not on his
verses, but upon a sprightly hodgepodge of imaginary table-talk, called
"The Autocrat of the Breakfast-Table"--a warm-hearted, kindly book,
which still retains its savor.
And this brings us to our most versatile man-of-letters--James Russell
Lowell. Born at Cambridge, in the old house called "Elmwood," so dear to
his readers, spending an ideal boyhood in the midst of a cultured
circle, treading the predestined path through Harvard, studying law and
gaining admission to the bar--such was the story of his life for the
first twenty-five years. As a student at Harvard, he had written a great
deal of prose and verse of considerable merit, and he continued this
work after graduation, gaining a livelihood somewhat precarious, indeed,
yet sufficient to render it unnecessary for him to attempt to practice
law. But it was not until 1848 that he really "struck his gait."
Public-domain text, read in full here on John Shaqi.
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